BG#BEBE Guitar Tuner
BG#BEBE | BA♭BEBE Jose Martinez - Guitar tuning, chords & scales
Tuning Analysis: jose martinez
The "jose martinez" tuning is a uniquely crafted configuration for the guitar, specifically described as being suitable for acoustic percussive fingerstyle playing. This tuning significantly alters the standard guitar setup, creating a rich and resonant soundscape designed to enhance intricate rhythmic patterns and melodic lines typical of advanced fingerstyle techniques. It establishes a strong harmonic foundation with accessible chords and a deep, driving bass.
Technical Overview
This tuning transforms the standard EADGBe guitar into the following open notes, from the 6th (lowest) string to the 1st (highest) string:
- 6th String: B1 (tuned down 5 semitones from standard E2)
- 5th String: G#2 (tuned down 1 semitone from standard A2)
- 4th String: B2 (tuned down 3 semitones from standard D3)
- 3rd String: E3 (tuned down 3 semitones from standard G3)
- 2nd String: B3 (remains standard B3)
- 1st String: E4 (remains standard E4)
Analyzing the open strings (B1, G#2, B2, E3, B3, E4), the predominant notes are B, E, and G#. This configuration resolves to an open E Major chord (E-G#-B), providing a bright, full, and harmonically rich resonance. The B note appears across three octaves (B1, B2, B3), grounding the tuning with a powerful, consistent fundamental. The E notes (E3, E4) reinforce the major tonality, while the G#2 provides the crucial major third.
Chords and Playability
The inherent E Major tonality of the open strings makes a wide range of E major family chords immediately accessible and resonant. Chords like E major, Emaj7, E6, and even A major (by barring at the 5th fret, which creates A2-E3-A3-C#4-E4-A5 from the B1-G#2-B2-E3-B3-E4 open tuning) become natural extensions of the open sound. The deep B1 on the 6th string provides an excellent low foundation for walking bass lines and rhythmic grooves, which is a hallmark of percussive fingerstyle.
The relative tunings of the strings encourage unique voicings and melodic patterns. While not a re-entrant tuning in the middle strings (G#2 is lower than B2), the dramatic drops in pitch on the lower strings create a looser, more adaptable feel for percussive slaps and taps, allowing for expressive dynamics without losing harmonic clarity.
How to Tune Your Guitar to jose martinez
To achieve the "jose martinez" tuning from standard EADGBe, carefully adjust each string according to the following instructions:
- 6th String (Low E): Tune down 5 semitones from standard E2 to B1. This is a significant drop in pitch, often benefiting from a heavier gauge string to maintain adequate tension and tone, as well as to ensure the string doesn't feel too loose.
- 5th String (A): Tune down 1 semitone from standard A2 to G#2.
- 4th String (D): Tune down 3 semitones from standard D3 to B2.
- 3rd String (G): Tune down 3 semitones from standard G3 to E3.
- 2nd String (B): Keep as is; no change (0 semitones). It remains B3.
- 1st String (High E): Keep as is; no change (0 semitones). It remains E4.
Important Note on String Gauge: When tuning strings significantly (typically exceeding 4 semitones up or down from their standard pitch), it's advisable to consider using a different string gauge. Large deviations in tension can affect playability, intonation, and in extreme cases, the structural integrity of your instrument. The 6th string, in particular, undergoes a substantial 5-semitone drop in this tuning, making a heavier gauge string a practical consideration for optimal performance.
Comments - have your say on BG#BEBE
Capos for BG#BEBE
| Capo | Tuning | Name |
|---|---|---|
| 0 | BG#BEBE | Jose Martinez |
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- -5
- -1
- -3
- -3
- 0
- 0
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