CCDAGD Guitar Tuner
CCDAGD CCDAGD - Guitar tuning, chords & scales
Overview: A Resonant & Unconventional Landscape
The CCDAGD tuning is a profoundly unique and experimental guitar setup, explicitly described as being "for personal use (inspired by Sonic Youth tuning)". This immediately signals its departure from conventional tunings, aiming for a distinctive sonic signature known for its drone-like qualities and rich harmonics. It invites players to explore textures and ambient soundscapes rather than traditional chord progressions.
Verbal Analysis:
At its heart, CCDAGD creates an incredibly resonant, almost orchestral sound. The doubled 'C' notes (C2 and C3) provide a foundational drone, giving the tuning a heavy, grounded feel. The subsequent 'D' (D3) adds a major second interval, which can be both sweet and slightly dissonant depending on context, while the 'A' (A3) establishes a strong perfect fifth relationship with the D. The 'G' (G3) then creates a close, often tension-filled, major second interval down (A3 to G3), before the higher 'D' (D4) expands the upper register. This arrangement lends itself to open, sustained chords and arpeggios that shimmer with complex overtones. It's an excellent tuning for creating atmospheric pieces, experimental rock, or ambient sound design, echoing the groundbreaking work of bands like Sonic Youth.
Technical Analysis:
The open string notes are configured as follows from low to high: C2 - C3 - D3 - A3 - G3 - D4. Let's break down the intervals relative to the preceding string:
- String 6 (C2) to String 5 (C3): An Octave (12 semitones), reinforcing the foundational C note.
- String 5 (C3) to String 4 (D3): A Major 2nd (2 semitones), adding brightness and a sense of motion.
- String 4 (D3) to String 3 (A3): A Perfect 5th (7 semitones), providing harmonic stability.
- String 3 (A3) to String 2 (G3): A Major 2nd down (-2 semitones from A3), creating a close, often dissonant, interval that can be used for tension or unique melodic phrasing.
- String 2 (G3) to String 1 (D4): A Perfect 5th (7 semitones), further expanding the harmonic landscape.
When strummed open, this tuning presents a complex harmony. The notes C, D, G, A are present. This can be perceived as elements of a C6/9 chord (C-G-D-A with doubled C and D) or a rich Dsus4add9. More simply, it offers a strong C drone with components of G major and D major triads. The close proximity of A3 and G3 makes for interesting dissonant voicings or opportunities for hammer-ons and pull-offs. With minimal fretwork, chords like open C power chords (C-G), D power chords (D-A), and G power chords (G-D) are readily available. Sliding a single finger across the C-D-A-G-D strings (String 5 to 1) at any fret will yield interesting parallel voicings, creating movable chord shapes that retain the unique intervallic structure of the tuning.
Open String Notes & How to Tune
Here are the notes for each string in the CCDAGD tuning, along with instructions on how to adjust from standard EADGBe tuning:
- String 6 (Low E to C2): Tune down 4 semitones. Caution: Tuning down exactly 4 semitones is a significant drop; for optimal tension and tone, a different gauge string is advised.
- String 5 (A to C3): Tune up 3 semitones. Take care when tuning up 3 semitones; ensure your string can handle the increased tension.
- String 4 (D to D3): Keep as is; no change (0 semitones).
- String 3 (G to A3): Tune up 2 semitones.
- String 2 (B to G3): Tune down 4 semitones. Caution: Tuning down exactly 4 semitones is a significant drop; for optimal tension and tone, a different gauge string is advised.
- String 1 (High E to D4): Tune down 2 semitones.
Always tune carefully and check string tension, especially with larger pitch changes.
Comments - have your say on CCDAGD
Capos for CCDAGD
Capo | Tuning | Name |
---|---|---|
0 | CCDAGD | CCDAGD |
More CCDAGD Resources
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- -4
- 3
- 0
- 2
- -4
- -2