CEADGBE Guitar Tuner
CEADGBE Std. For Brazilian Choro - Guitar tuning, chords & scales
Verbal Analysis
This unique 7-string guitar tuning, often referred to as a standard for Brazilian Choro music, offers a rich and distinctive sonic palette. By tuning the lowest string to a C, it provides a deep, resonant bass foundation that is highly expressive and suitable for the intricate melodic and harmonic complexities of Choro. The remaining six strings maintain a standard EADGBE configuration, making it familiar to most guitarists while introducing the powerful lower register C for enhanced arrangements and improvisations.
Technical Analysis
Instrument Type:
7-string Guitar
Open String Notes:
- String 7: C2 (Lowest String)
- String 6: E2
- String 5: A2
- String 4: D3
- String 3: G3
- String 2: B3
- String 1: E4 (Highest String)
Intervals from the Lowest String:
- From String 7 (C2) to String 6 (E2): Major 3rd
- From String 6 (E2) to String 5 (A2): Perfect 4th
- From String 5 (A2) to String 4 (D3): Perfect 4th
- From String 4 (D3) to String 3 (G3): Perfect 4th
- From String 3 (G3) to String 2 (B3): Major 3rd
- From String 2 (B3) to String 1 (E4): Perfect 4th
Chordal Opportunities:
This tuning provides a versatile platform for both standard and extended voicings. The presence of the low C (String 7) immediately opens up possibilities for full, rich C Major, C Minor, and C dominant 7th chords with a strong root. For example, an open C Major triad can be formed using Strings 7 (C), 6 (E), and 3 (G). The standard EADGBE arrangement on the top six strings ensures that all common open chords (G, C, D, E minor, A minor, etc.) and barre chord shapes remain accessible and familiar. The low C can be used to add depth to these chords or to provide walking bass lines, which is a common characteristic in Choro music.
How to Tune
- String 7 (C2): Tune up 1 semitone. This means if your 7-string guitar's lowest string is typically B, you will tune it up to C. Exercise care when tuning up a string, though a 1 semitone increase is generally safe for standard string gauges.
- String 6 (E2): Keep as is; no change (0 semitones).
- String 5 (A2): Keep as is; no change (0 semitones).
- String 4 (D3): Keep as is; no change (0 semitones).
- String 3 (G3): Keep as is; no change (0 semitones).
- String 2 (B3): Keep as is; no change (0 semitones).
- String 1 (E4): Keep as is; no change (0 semitones).
Important Note: While a 1 semitone tuning increase for String 7 is generally within safe limits for most string gauges, always proceed cautiously to prevent string breakage or damage to your instrument. Tuning up more than 4 semitones or down more than 4 semitones from standard pitch usually advises a different gauge string for optimal performance and safety.
String 7 (Lowest): C2 - Tuned to C in the second octave, providing a deep bass foundation.
String 6: E2 - Tuned to E in the second octave.
String 5: A2 - Tuned to A in the second octave.
String 4: D3 - Tuned to D in the third octave.
String 3: G3 - Tuned to G in the third octave.
String 2: B3 - Tuned to B in the third octave.
String 1 (Highest): E4 - Tuned to E in the fourth octave.
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Tuning Map
- Fret
- S7
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- A#
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- B
- E
- A
- D
- G
- B
- E
- -11
- C
- F
- A#
- D#
- G#
- C
- F
- -10
- C#
- F#
- B
- E
- A
- C#
- F#
- -9
- D
- G
- C
- F
- A#
- D
- G
- -8
- D#
- G#
- C#
- F#
- B
- D#
- G#
- -7
- E
- A
- D
- G
- C
- E
- A
- -6
- F
- A#
- D#
- G#
- C#
- F
- A#
- -5
- F#
- B
- E
- A
- D
- F#
- B
- -4
- G
- C
- F
- A#
- D#
- G
- C
- -3
- G#
- C#
- F#
- B
- E
- G#
- C#
- -2
- A
- D
- G
- C
- F
- A
- D
- -1
- A#
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- B
- E
- A
- D
- G
- B
- E
- 1
- C
- F
- A#
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- G#
- C
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- 2
- C#
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- B
- E
- A
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- 3
- D
- G
- C
- F
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- D
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- 4
- D#
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- F#
- B
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- G#
- 5
- E
- A
- D
- G
- C
- E
- A
- 6
- F
- A#
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- F#
- B
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- B
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