CFACFAC Guitar Tuner
CFACFAC Open F - Guitar tuning, chords & scales
Overview: Open F Major Tuning (7-String)
This intriguing 7-string guitar tuning, officially named "Open F," is described as being "one tone lower than a classical Russian open G tuning." This immediately hints at a deep, resonant sound profile, perfect for heavy riffs, slide playing, or rich accompaniment.
Verbal Analysis
When strummed open, this tuning delivers a full, powerful F Major chord. The arrangement of notes (C-F-A-C-F-A-C) creates a wonderfully resonant voicing, with the low C providing a strong, foundational bass. Players will find this tuning exceptionally satisfying for slide guitar work, as a single fret bar across all strings instantly produces another major chord. It lends itself beautifully to blues, folk, rock, and even heavier genres where a thick, sustained chord is desired. The lower overall pitch compared to standard tunings gives it a unique growl and depth, making it an excellent choice for a darker, more expansive sonic palette.
Technical Analysis
- Tuning: C2 - F2 - A2 - C3 - F3 - A3 - C4 (from lowest 7th string to highest 1st string).
- Open Chord: This forms an F Major triad (F-A-C) with a prominent C in the bass, essentially an F major chord in its second inversion (F/C). The presence of multiple octaves of C, F, and A notes creates a rich harmonic density.
- Interval Structure: The intervals between adjacent strings are P4 (Perfect Fourth from C2 to F2), M3 (Major Third from F2 to A2), m3 (Minor Third from A2 to C3), P4 (from C3 to F3), M3 (from F3 to A3), m3 (from A3 to C4). This consistent pattern of P4-M3-m3 across segments of the tuning makes for intuitive navigation and chord formation across the fretboard.
- Octave Relationships: The tuning features clear octave pairings (C2-C3, F2-F3, A2-A3, C3-C4), which contribute to its lush, full sound and allow for easy octave doubling in melodic lines and chord voicings.
Chordal Opportunities
- Major Chords: All major chords are readily accessible by simply barring across a single fret. For example, barring at the 1st fret yields an F# Major chord, at the 3rd fret a G# Major, and at the 5th fret an A Major. This makes transposing major chord progressions very straightforward.
- Minor and Dominant 7th Chords: With the open F Major chord as a foundation, minor chords (e.g., F minor by flattening the A to G#) and dominant 7th chords (e.g., F7 by flattening the C to Bb) can be achieved with minimal finger movements by adjusting the 3rd and adding the flattened 7th notes. The repetitive F-A-C structure across the strings makes it easier to spot these alterations and build more complex harmonies.
- Power Chords: The strong bass notes and inherent octave relationships within the tuning make it highly effective for powerful, resonant power chords, especially suitable for heavy rock and metal genres.
Tuning Notes
- 7th String (Lowest): C2
- 6th String: F2
- 5th String: A2
- 4th String: C3
- 3rd String: F3
- 2nd String: A3
- 1st String (Highest): C4
How to Tune (from your current standard tuning)
- 7th String (C2): Tune up 1 semitones.
- 6th String (F2): Tune up 1 semitones.
- 5th String (A2): Keep as is; no change (0 semitones).
- 4th String (C3): Tune down 2 semitones.
- 3rd String (F3): Tune down 2 semitones.
- 2nd String (A3): Tune down 2 semitones.
- 1st String (C4): Tune down 4 semitones.
Important String Gauge Note: Tuning a string down by 4 or more semitones, or up by 4 or more semitones, can significantly alter string tension and may require a different string gauge for optimal playability and to prevent potential damage. For this tuning, the 1st string is tuned down 4 semitones, which is at the threshold where a different string gauge might be advised for best results and to maintain proper tension.
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Tuning Map
- Fret
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- -13
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