CFA#D#FA# Guitar Tuner
CFA#D#FA# | CFB♭E♭FB♭ C Minor 7th Add 11th (Standard) - Guitar tuning, chords & scales
The C minor 7th add 11th (Standard) tuning transforms your Guitar into a versatile canvas for rich, complex harmonies. This specific tuning, based on the notes C2, F2, A#3, D#4, F3, A#4 from low to high, provides an immediate sonic palette perfect for jazz, fusion, progressive rock, or any genre seeking a darker, more sophisticated tonal foundation.
Verbal Analysis
Imagine a deeply resonant, slightly melancholic, yet full-bodied sound. The open strings immediately present a C minor 7th chord with an added 11th (F). This creates an immediate lush, jazzy, or even cinematic feel. The repetition of the F and A# (Bb) notes across different octaves provides a harmonic richness and depth that can make simple strumming sound incredibly sophisticated. It's a tuning that encourages exploration beyond traditional major/minor shapes, opening up possibilities for unique voicings and extended chords. The low C provides a powerful root, while the higher string intervals offer shimmering upper extensions.
Technical Analysis
Technically, this tuning configures the Guitar to the following intervals relative to C:
- 6th String (Low C): Root (C)
- 5th String (F): Perfect 4th / 11th (F)
- 4th String (A#/Bb): Minor 7th (Bb)
- 3rd String (D#/Eb): Minor 3rd (Eb)
- 2nd String (F): Perfect 4th / 11th (F, an octave above the 5th string F2)
- 1st String (A#/Bb): Minor 7th (Bb, an octave above the 4th string A#3)
The open tuning itself is a C minor 7th add 11th chord (C-Eb-F-Bb). This structure means that simply barring across any fret will yield a transposed minor 7th add 11th chord, for example, barring at the 1st fret creates a Db minor 7th add 11th. This makes moving through various keys with this complex chord surprisingly easy. Standard major and minor triad shapes will need to be re-learned, but common intervals like perfect 4ths and octaves remain accessible. The presence of two Fs and two A#s (Bb) at different octaves creates powerful unison and octave opportunities, adding depth and resonance to both chords and single-note lines. Power chords (root-fifth) will remain relatively straightforward, often involving just two strings.
The C minor 7th add 11th (Standard) tuning sets the Guitar strings to these specific notes:
- 6th String: C2 (Low C)
- 5th String: F2
- 4th String: A#3 (A sharp 3rd octave)
- 3rd String: D#4 (D sharp 4th octave)
- 2nd String: F3
- 1st String: A#4 (A sharp 4th octave)
How to Tune to C minor 7th add 11th (Standard)
To achieve the C minor 7th add 11th (Standard) tuning from a standard EADGBe tuning, you will need to significantly detune most of your strings. Please proceed with caution, especially with the larger drops, as string tension will be considerably reduced. For movements exceeding 4 semitones, a different string gauge is highly recommended for optimal playability and intonation.
- 6th String (Low E): Tune down 4 semitones from E2 to C2. This is a substantial drop, and a heavier gauge string is advised for better tension.
- 5th String (A): Tune down 4 semitones from A2 to F2. This is a substantial drop, and a heavier gauge string is advised for better tension.
- 4th String (D): Tune down 4 semitones from D3 to A#3. This is a substantial drop, and a heavier gauge string is advised for better tension.
- 3rd String (G): Tune down 4 semitones from G3 to D#4. This is a substantial drop, and a heavier gauge string is advised for better tension.
- 2nd String (B): Tune down 6 semitones from B3 to F3. This is a very significant drop, and a heavier gauge string is strongly advised for proper playability and to prevent buzzing.
- 1st String (High E): Tune down 6 semitones from E4 to A#4. This is a very significant drop, and a heavier gauge string is strongly advised for proper playability and to prevent buzzing.
Always use a reliable tuner and check intonation after tuning, especially when making such large changes to string tension.
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Capos for CFA#D#FA#
Capo | Tuning | Name |
---|---|---|
0 | CFA#D#FA# | C Minor 7th Add 11th (Standard) |
2 | DGCFGC | Drop Negrini |
3 | D#G#C#F#G#C# | Jayce Curtis |
4 | EADGAD | Half Standard-half DADGAD |
5 | FA#D#G#A#D# | Rylynn, One Step Up |
6 | F#BEABE | F#4 |
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- -4
- -4
- -4
- -4
- -6
- -6