CG#D#F#BA# Guitar Tuner
CG#D#F#BA# | CA♭E♭G♭BB♭ Open A Flat - Abm - Abm7 - Abm9 - Guitar tuning, chords & scales
Tuning Analysis: Open Abm9 (with C Bass)
This intriguing tuning, named "Open Abm9", immediately presents a lush, complex minor 9th chord when all strings are played open. It offers a rich harmonic landscape, perfect for genres like jazz, blues, R&B, or any style seeking a sophisticated, melancholic, or moody texture. The arrangement of notes lends itself to easy exploration of complex voicings across the fretboard.
Technical Breakdown
The open strings are tuned to C2 - G#3 - B3 - D#4 - F#4 - A#4 (from low to high). When analyzed, these notes collectively form an Abm9 chord (Ab, Cb, Eb, Gb, Bb) with a crucial addition: a low C in the bass. This means the tuning can be technically described as an Abm9/C. The presence of all components for an Abm9 (Ab/G#, Cb/B, Eb/D#, Gb/F#, Bb/A#) confirms the tuning's name and stated intention to encompass Ab, Abm, Abm7, and Abm9 voicings.
The unique low C adds a deep, resonant foundation, making the open chord particularly full and evocative. This specific voicing gives the tuning a distinctive character that can be used for atmospheric pads, intricate chord melodies, or driving rhythmic patterns.
Open Chords & Accessibility
The primary open chord formed by this tuning is a magnificent Abm9. Its construction allows for easy transposition: by simply barring across any fret, you can effortlessly achieve the corresponding minor 9th chord. For example, barring at the 1st fret yields a C#m9 (Dbm9), at the 2nd fret a Dm9, and so on. This makes the tuning incredibly efficient for exploring and utilizing a vast array of minor 9th voicings with minimal effort, providing a consistent harmonic texture across the fretboard.
How to Tune Your Guitar
To achieve the "Open Abm9" tuning, follow these specific string adjustments:
- String 6 (Low E): Tune down 4 semitones to C2.
- String 5 (A): Tune down 1 semitone to G#3.
- String 4 (D): Tune up 1 semitone to D#4.
- String 3 (G): Tune down 1 semitone to F#4.
- String 2 (B): Keep as is; no change (0 semitones) at B3.
- String 1 (High E): Tune down 6 semitones to A#4.
Important Note on String Gauges: For significant string tension changes, particularly when tuning down by 4 or more semitones, or tuning up by 4 or more semitones, it is generally recommended to consider using a different gauge string. In this tuning, String 6 is tuned down 4 semitones and String 1 is tuned down 6 semitones, which means a lighter gauge string for the 6th and especially the 1st string might provide better playability and intonation, while also being safer for your guitar neck and string longevity.
String 6: C2
String 5: G3#
String 4: D4#
String 3: F4#
String 2: B3
String 1: A4#
Loading an obscene
amount of Chords
Loading an obscene
amount of Scales
Loading Tuning Map
Loading Tuning Data
Comments - have your say on CG#D#F#BA#
Capos for CG#D#F#BA#
| Capo | Tuning | Name |
|---|---|---|
| 0 | CG#D#F#BA# | Open A Flat - Abm - Abm7 - Abm9 |
Songs tuned to CG#D#F#BA#
Know a song in CG#D#F#BA#?
Please use the below form to submit a song for CG#D#F#BA# that is not already on gtdb.org.
Videos for CG#D#F#BA# on
Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- -4
- -1
- 1
- -1
- 0
- -6
© 2026 GTDB