C#F#BE Bass Electric Tuner
C#F#BE | D♭G♭BE C# Standard Bass - Bass Electric tuning, chords & scales
Tuning Analysis: C# Standard Bass
This analysis describes a unique "C# standard Bass" tuning for an Electric Bass, as used when playing in "Entropy."
Verbal Analysis
The "C# standard Bass" tuning, featuring a deep C♯2 on the lowest string, provides a powerful and resonant foundation. This tuning is often favored in genres that demand a thick, guttural low-end, such as various forms of metal, hard rock, and experimental music, where its inherent weight contributes significantly to the overall sonic impact. The specific configuration of C♯2 - F♯2 - B1 - E2, while sharing the primary C♯ root with conventional C♯ Standard, diverges significantly through the octave placement of its inner strings. This suggests a bespoke tuning designed for specific harmonic textures or to facilitate unique playing techniques within the context of "Entropy," offering a distinctive tonal palette that moves beyond typical bass voicings.
Technical Analysis
This tuning for a 4-string Electric Bass is set to C♯2 - F♯2 - B1 - E2, from the thickest (4th) to the thinnest (1st) string. While the name "C# standard Bass" typically implies a consistent series of perfect fourths (C♯2 - F♯2 - B2 - E3), this particular tuning presents a highly unusual intervallic structure due to the octaves of the 2nd and 1st strings:
- String 4 (C♯2) to String 3 (F♯2): This interval is a perfect fourth (5 semitones), consistent with standard bass tuning practices.
- String 3 (F♯2) to String 2 (B1): This is the most distinctive aspect of the tuning. String 2 (B1) is tuned 7 semitones lower than String 3 (F♯2), representing a perfect fifth descent. This significant drop creates a wide, non-standard interval between these two strings.
- String 2 (B1) to String 1 (E2): This interval is once again a perfect fourth (5 semitones), restoring a common intervallic relationship between the two highest strings.
The open strings (B1, C♯2, E2, F♯2 when ordered by pitch) do not readily form a conventional chord, but this unique arrangement can facilitate specific arpeggiations or dense, low-end voicings. The low C♯2 and the exceptionally deep B1 provide an expansive lower register. Players accustomed to standard tunings will need to adapt significantly, particularly for voicings that cross the 2nd and 3rd strings, where standard shapes will not apply. However, familiar perfect fourth shapes remain viable on the 4th-3rd and 2nd-1st string pairs. This tuning is clearly tailored for a highly specialized sound and playing approach, likely maximizing deep resonance and contributing to a unique sonic signature.
How to Tune
Based on the provided string movement data, your Bass Electric is either already perfectly set to the "C# standard Bass" tuning (C♯2 - F♯2 - B1 - E2) or no adjustments are needed from its current state to achieve this tuning. The instructions below indicate that each string should remain as it is:
- String 4 (C♯2): Keep as is; no change (0 semitones).
- String 3 (F♯2): Keep as is; no change (0 semitones).
- String 2 (B1): Keep as is; no change (0 semitones).
- String 1 (E2): Keep as is; no change (0 semitones).
If your instrument is currently in a significantly different tuning (e.g., standard EADG), you would typically need to tune each string down by several semitones to reach these notes. For such substantial changes, particularly those exceeding four semitones up or down, considering a heavier gauge string set is often advised to maintain proper string tension, intonation, and tone clarity. However, the current tuning instructions directly reflect that no tuning adjustment is necessary from the instrument's assumed starting point.
This Bass Electric is tuned as follows:
String 4 (Lowest Pitch): C♯2
String 3: F♯2
String 2: B1
String 1 (Highest Pitch): E2
Comments - have your say on C#F#BE
Capos for C#F#BE
| Capo | Tuning | Name |
|---|---|---|
| -14 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| -13 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| -12 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| -11 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| -10 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| -9 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| -8 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| -7 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| -6 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| -5 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| -4 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| -3 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| -2 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| -1 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| 0 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| 1 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| 2 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| 3 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| 4 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| 5 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| 6 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| 7 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| 8 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| 9 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| 10 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| 11 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| 12 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| 13 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
| 14 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
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