C#F#BEG#B Guitar Tuner
C#F#BEG#B | D♭G♭BEA♭B If You Know Me Like You Say You Do - Guitar tuning, chords & scales
Tuning Analysis: Hudson Freeman's C#m7sus4 Open Tuning (C# F# B E G# B)
This unique tuning, attributed to Hudson Freeman as described, transforms your guitar into a deeply resonant and harmonically rich instrument. With the open strings C# F# B E G# B, it immediately evokes a mood that can range from somber and introspective to powerful and expansive. It's particularly well-suited for styles requiring a thick, full sound, such as alternative rock, metal, ambient soundscapes, or intricate fingerstyle compositions where open string harmonies are paramount.
Technical Breakdown
At its core, the open strings of this tuning form a C# minor 7th suspended 4th (C#m7sus4) chord. This complex voicing includes the root (C#), a perfect 4th (F#), minor 7th (B), minor 3rd (E), and a perfect 5th (G#). The combination of the minor 3rd (E), minor 7th (B), and suspended 4th (F#) over the C# root creates a rich, melancholic, yet open and unresolved quality.
- String Intervals (low to high):
- 6th String (C#) to 5th String (F#): Perfect 4th
- 5th String (F#) to 4th String (B): Perfect 4th
- 4th String (B) to 3rd String (E): Perfect 4th
- 3rd String (E) to 2nd String (G#): Major 3rd
- 2nd String (G#) to 1st String (B): Minor 3rd
The consistent perfect fourths across the lower four strings provide a sturdy, almost bass-like foundation, making power chords and low-end riffs particularly resonant. The shift to a major third and then a minor third on the higher strings introduces harmonic complexity and melodic possibilities, allowing for expressive lead lines and intricate chord voicings.
Chordal Potential
Beyond the open C#m7sus4, this tuning makes several other chords easily accessible:
- C# Minor (C#m): By muting or omitting the F# on the 5th string and perhaps the higher B, you can emphasize the C# E G# core.
- B Major 6th (Bmaj6): Playing the 4th, 3rd, 2nd, and 1st strings open (B E G# B) beautifully forms a Bmaj6 chord, offering a brighter contrast.
- Power Chords: The uniform perfect fourths on the lower strings mean that simple two or three-finger power chords (root-fifth-octave) can be easily formed across multiple strings, yielding a thick, powerful sound.
- Movable Shapes: The open C#m7sus4 shape can be barred and moved up or down the neck to create other m7sus4 chords, opening up a world of rich, suspended harmonies.
How to Tune
To achieve Hudson Freeman's C#m7sus4 Open Tuning from standard E Standard tuning (E A D G B E), carefully adjust each string as follows. Please exercise caution, especially when making significant downward tunings, as string tension changes.
- 6th String (Low E): Tune down 3 semitones from E to C#.
- 5th String (A): Tune down 3 semitones from A to F#.
- 4th String (D): Tune down 3 semitones from D to B.
- 3rd String (G): Tune down 3 semitones from G to E.
- 2nd String (B): Tune down 3 semitones from B to G#.
- 1st String (High E): Tune down 5 semitones from E to B.
Important Note: The first five strings are tuned down 3 semitones (a minor third), and the high E string is tuned down 5 semitones (a perfect fourth). For the 1st string (High E) which is tuned down 5 semitones, exceeding the typical threshold of 4 semitones, a heavier gauge string might be advisable to maintain optimal playability and intonation. Always ensure your guitar is properly set up for lower tunings to avoid fret buzz and intonation issues.
6th String: Tuned to C#3 (C sharp in the 3rd octave).
5th String: Tuned to F#3 (F sharp in the 3rd octave).
4th String: Tuned to B2 (B in the 2nd octave).
3rd String: Tuned to E3 (E in the 3rd octave).
2nd String: Tuned to G#4 (G sharp in the 4th octave).
1st String: Tuned to B3 (B in the 3rd octave).
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Capos for C#F#BEG#B
| Capo | Tuning | Name |
|---|---|---|
| -3 | A#D#G#C#FG# | Adgcfg |
| 0 | C#F#BEG#B | If You Know Me Like You Say You Do |
| 2 | D#G#C#F#A#C# | Elliott Smith - Easy Way Out Tuning |
| 3 | EADGBD | Lazy D Tuning |
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- -3
- -3
- -3
- -3
- -3
- -5
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