C#F#C#F#AC# Guitar Tuner
C#F#C#F#AC# | Dâ™Gâ™Dâ™Gâ™ADâ™ Kakegurui - Deal With The Devil (arr. By Eddie Van Der Meer) - Guitar tuning, chords & scales
This deeply resonant and highly altered guitar tuning is aptly named after "Kakegurui - Deal with the Devil (arr. by Eddie Van der Meer)," reflecting its unique and dramatic sonic qualities. It's a tuning that descends significantly from standard EADGBe, creating a dark, open, and atmospheric soundscape.
Verbal Analysis
This tuning creates an immediate sense of depth and mystery due to all strings being tuned down, some quite significantly. The arrangement of notes—C#3 F#3 C#4 F#4 A3 C#5—is particularly striking. The open strings themselves form a rich, complex chord, dominated by C# and F#, with an intriguing A3 appearing as the second string's lowest note, creating a unique internal voicing. This gives the tuning a strong, almost drone-like quality, making it excellent for arpeggiated figures, intricate fingerstyle arrangements, and expressive melodic playing. It has a melancholic, yet powerful character, perfect for cinematic or dramatic musical pieces.
Technical Analysis
- Tuning Configuration: The guitar is tuned to C#3 F#3 C#4 F#4 A3 C#5 from low to high.
- Intervals: From the low C#3, the intervals are P1 (C#3), P4 (F#3), P8 (C#4), P11/P4+P8 (F#4), M6 (A3), P15/P8+P8 (C#5). The placement of A3 (Major 6th) lower than C#4 and F#4 creates a distinctive, inverted chord voicing, adding to its unique texture.
- Overall Pitch: The entire tuning is significantly lower than standard, with the lowest string dropping 3 semitones from E to C#. This will result in a looser feel and a darker, more resonant tone.
- String Gauge Recommendation: While no string drops beyond 3 semitones (the threshold for immediate gauge change), multiple strings (6th, 5th, 2nd, 1st) are tuned down by 2 or 3 semitones. For optimal string tension, intonation stability, and to maintain clarity, using a slightly heavier gauge string set is highly recommended for this level of down-tuning.
Open Chords & Playability
- Open Chord: Strumming all open strings yields a complex, resonant chord that can be interpreted as a C#sus4add6 (C# F# A) or an F#sus2 with C# in the bass (F# G# C# with an added C# and A). This chord is rich, dark, and highly expressive, forming the core of the tuning's character.
- Drone & Arpeggio Friendly: The repeated C# and F# notes across different octaves make this tuning perfect for creating sustained drones and intricate arpeggios that highlight these tonal centers, allowing for spacious and ambient musical textures.
- Easy Fingerings for Sus Chords: Barring across the lower strings will often result in sus4-type chords or their inversions, due to the prevalence of the P4 interval. For instance, a single finger across the 6th, 5th, 4th, and 3rd strings at various frets will easily produce variations of sus4 chords, making complex harmonies accessible and intuitive.
- Rhythmic Potential: The low, resonant nature of this tuning, combined with the spread of intervals, can lend itself to powerful, driving rhythmic patterns, especially when emphasizing the lower C# and F# notes, creating a strong percussive foundation.
Tuning Notes & How to Tune
Here's how to set up your guitar for this unique tuning from standard EADGBe:
- String 6 (Low E String): Tune down 3 semitones from E2 to C#3.
- String 5 (A String): Tune down 3 semitones from A2 to F#3.
- String 4 (D String): Tune down 1 semitone from D3 to C#4.
- String 3 (G String): Tune down 1 semitone from G3 to F#4.
- String 2 (B String): Tune down 2 semitones from B3 to A3.
- String 1 (High E String): Tune down 3 semitones from E4 to C#5.
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More C#F#C#F#AC# Resources
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Songs tuned to C#F#C#F#AC#
Artist | Song | Album | Tab |
---|---|---|---|
Alter Bridge | Dying Light | Walk the Sky 2.0 | View Tab |
Please use the below form to submit a song for C#F#C#F#AC# that is not already on gtdb.org.
Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- -3
- -3
- -1
- -1
- -2
- -3