C#G#C#EBE Guitar Tuner
C#G#C#EBE | D♭A♭D♭EBE Open C#m7 - Guitar tuning, chords & scales
The Open C#m7 tuning is a custom-designed setup for the guitar, specifically crafted to unlock rich minor 7th sonorities and modal textures, particularly conducive to achieving a modern, evocative sound often associated with Dorian mode. As its creator notes, it provides an easier pathway to specific musical expressions, offering a distinct advantage for players seeking to infuse their music with a particular mood, such as the characteristic feel of an Em7 chord shape when explored within this tuning's unique framework.
Technical Breakdown:
- The open strings are tuned to C#3 G#3 C#4 E3 B3 E4.
- This arrangement immediately forms a complete C# minor 7th chord (C#, E, G#, B) across the open strings, providing a powerful, resonant foundation for your playing. This means you can strum all open strings for an instant C#m7 sound.
- The tuning features a low C# on the 6th string and a high E on the 1st string, offering a broad sonic spectrum and harmonic depth. The repeated C# on the 6th and 4th strings, alongside the perfect fifth G# on the 5th, creates a strong, sustained root and fifth, ideal for drone-based playing and rhythmic ostinatos.
- The presence of the minor third (E) and minor seventh (B) directly in the open tuning makes it exceptionally fluid for exploring C# minor melodies and modes. It naturally aligns with the C# Dorian mode (C# D# E F# G# A# B), as the open notes provide the crucial root, minor third, perfect fifth, and minor seventh, giving you a strong melodic and harmonic starting point for this mode.
Chordal & Melodic Potential:
- The most immediate chord is the Open C#m7 itself, perfect for intros, sustained pads, or as a home base for modal explorations.
- Barre chords become exceptionally versatile; a single finger across a fret will yield various minor 7th chords. For instance, barring at the 1st fret (all strings) would transform the open C#m7 into a Dm7 chord, simplifying complex voicings and allowing for easy key changes.
- The tuning's structure lends itself well to creating power chords with ease, particularly on the lower strings (e.g., a powerful C#5 using strings 6, 5, and 4).
- Fingerstyle players will discover new harmonic possibilities, allowing for rich, full-sounding arpeggios of C#m7 without requiring complex fretting patterns, making intricate passages more accessible.
- Experiment with melodic lines that emphasize the minor third (E) and minor seventh (B) against the C# root to truly bring out the Dorian qualities mentioned by the creator, lending a sophisticated and slightly melancholic yet bright feel to your music.
Open String Notes:
- 6th String: C3#
- 5th String: G3#
- 4th String: C4#
- 3rd String: E3
- 2nd String: B3
- 1st String: E4
How to Tune (from Standard EADGBe):
To achieve the Open C#m7 tuning from standard EADGBe, carefully follow these string movements. Please be mindful of string tension when making significant pitch changes.
- 6th String (Original E): Tune down to C#3. This is a movement of 3 semitones down.
- 5th String (Original A): Tune down to G#3. This is a movement of 1 semitone down.
- 4th String (Original D): Tune down to C4#. This is a movement of 1 semitone down.
- 3rd String (Original G): Tune down to E3. This is a movement of 3 semitones down.
- 2nd String (Original B): Keep as is; B3. No change (0 semitones).
- 1st String (Original E): Keep as is; E4. No change (0 semitones).
Note on String Gauge: While tuning down 3 semitones is generally acceptable for most standard gauge strings, movements exceeding 4 semitones (up or down) typically advise considering a different string gauge to maintain optimal tension and tone. For this tuning, the maximum change is 3 semitones down, which should be manageable with regular strings, but always listen to your guitar and strings for any signs of excessive looseness or tension.
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Comments - have your say on C#G#C#EBE
Songs tuned to C#G#C#EBE
| Artist | Song | Album | Tab |
|---|---|---|---|
| Post-Nautic | Kharj | ||
| Post-Nautic | Marco | ||
| Post-Nautic | Low Tide | ||
| Post-Nautic | High Tide |
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
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- -11
- F
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- C
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- F#
- B
- E
- A
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- G
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- B
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- C
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- B
- E
- A
- D
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- B
- -4
- C
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- A#
- D#
- G
- C
- -3
- C#
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- B
- E
- G#
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- -2
- D
- G
- C
- F
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- -1
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- 7
- B
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- -3
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- 0
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