C#G#D#F#A#D# Guitar Tuner
C#G#D#F#A#D# | D♭A♭E♭G♭B♭E♭ F#6/9 - Guitar tuning, chords & scales
The Open F#6/9 Tuning is a remarkably rich and resonant guitar setup, as suggested by its evocative name derived from an "ig scarlet viral song from reels." This tuning is designed to immediately present a full F#6/9 chord when strummed open, making it ideal for creating lush, atmospheric soundscapes with minimal effort.
Verbal Analysis
Verbally, this tuning offers a bright, complex, and harmonically sophisticated sound. The open F#6/9 chord is often associated with genres that appreciate extended harmonies, such as jazz, neo-soul, contemporary folk, and cinematic sound design. Its inherent fullness lends itself beautifully to ambient textures, fingerstyle arrangements, or as a powerful, shimmering backdrop for vocals. The reference to a "viral song" hints at its potential for catchy, modern melodies and hooks, making it suitable for pop and social media content where instant harmonic gratification is key.
Technical Analysis
Technically, the open strings are tuned to C#3 - G#3 - D#4 - F#4 - A#4 - D#5 (from low E to high E string). When analyzed with F# as the root (conveniently located on the 3rd string), this creates the following intervallic structure:
- F# (Root - 3rd string)
- A# (Major 3rd - 2nd string)
- C# (Perfect 5th - 6th string)
- D# (Major 6th - 4th and 1st strings)
- G# (Major 9th - 5th string)
This collection of notes (F#, A#, C#, D#, G#) perfectly forms an F# major triad with an added 6th and 9th. The presence of two D# notes (on the 4th and 1st strings) adds thickness and shimmer to the voicing, contributing to a rich, full sound.
Open Chords and Possibilities:
- Open F#6/9: The most obvious and central chord, achieved by simply strumming all open strings. It's a rich, complete harmony that serves as a fundamental building block for compositions in this tuning.
- Barre Chords: By placing a barre across any fret, you can effortlessly transpose this F#6/9 chord up the neck. For instance, a barre at the 1st fret yields a G6/9, at the 2nd fret a G#6/9, and so on. This makes playing complex chord progressions with a consistent harmonic color incredibly straightforward and accessible.
- Partial Chords: Experimenting with smaller groups of strings can reveal other beautiful voicings. For example, playing just the 3rd, 2nd, and 6th strings (F#-A#-C#) gives a strong F# major triad, while adding the 5th string (G#) creates an F#add9.
- Drone Tones: The stable C# and G# in the lower register (6th and 5th strings) can serve as excellent drone notes for melodic improvisation over the F#6/9 harmony, creating a spacious and resonant feel.
- Related Chords: Due to the major 3rd and 5th, related major chords are easily accessible. Minor chords or dominant chords can be formed by fretting adjacent notes, taking advantage of the open intervals. For example, to create an F# minor chord, you would typically need to flatten the A# to A, which is easily reachable by fretting the 2nd string.
Overall, this tuning provides a powerful harmonic foundation and encourages creative exploration, particularly for players looking for a vibrant, modern open chord sound with significant melodic and harmonic potential.
How to Tune to Open F#6/9 Tuning
To achieve the unique Open F#6/9 Tuning, carefully adjust each string according to the movements specified below. It is important to note that the provided string movements are designed to guide you to the target notes. Always use a reliable tuner for accuracy.
- String 6 (Low E): Tune down 3 semitones to C#3.
- String 5 (A String): Tune down 1 semitones to G#3.
- String 4 (D String): Tune up 1 semitones to D#4.
- String 3 (G String): Tune down 1 semitones to F#4.
- String 2 (B String): Tune down 1 semitones to A#4.
- String 1 (High E): Tune down 1 semitones to D#5.
Important Note on String Gauge: The string movements in this tuning are relatively minor (within -3 to +1 semitones). Therefore, a change in string gauge is generally not required, as these adjustments fall well within safe limits for standard guitar strings, maintaining optimal string tension and integrity.
Loading an obscene
amount of Chords
Loading an obscene
amount of Scales
Loading Tuning Map
Loading Tuning Data
Comments - have your say on C#G#D#F#A#D#
Capos for C#G#D#F#A#D#
| Capo | Tuning | Name |
|---|---|---|
| -1 | CGDFAD | CGDFAD |
| 0 | C#G#D#F#A#D# | F#6/9 |
| 1 | DAEGBE | Drop D/Raised E |
| 2 | D#A#FG#CF | D#A#FG#CF |
Please use the below form to submit a song for C#G#D#F#A#D# that is not already on gtdb.org.
Videos for C#G#D#F#A#D# on
Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- -3
- -1
- 1
- -1
- -1
- -1
© 2026 GTDB