This unique tuning, which we've named Frippian Echo Half-Step Up, is presented as an accessible variation inspired by Robert Fripp's New Standard Tuning (NST), specifically attempting a half-step higher feel while optimizing for easier tuning.

Verbal Analysis

The open strings of this tuning reveal a distinct and somewhat angular sonic landscape. It doesn't immediately lend itself to conventional major or minor chords, instead offering a modern, open, and resonant quality. The predominance of sharp notes suggests a bright and shimmering character. The substantial drop in pitch on the lowest string (E to C#) provides a deep, solid foundation, while the upper strings create a complex, almost orchestral texture with its repeated G# and striking intervals. This tuning is designed to encourage exploration and might be particularly appealing to players interested in progressive rock, jazz-fusion, or experimental music.

Technical Analysis

The open notes for this tuning are: C#3, G#3, D#4, G#4, A#4, F4. Analyzing the intervals from the lowest C#:

• C#3 to G#3: A perfect fifth, establishing a strong, resonant base.
• C#3 to D#4: A major ninth (or major second an octave higher), introducing a pleasant tension.
• C#3 to G#4: Another perfect fifth, an octave above the second string, adding depth and resonance.
• C#3 to A#4: A major sixth, contributing to a sense of openness and color.
• C#3 to F4: This is a diminished fifth (or augmented fourth), which is the most striking and harmonically adventurous interval. It avoids simple major/minor tonality, pushing the sound towards a more modern, suspended, or even dissonant character.

The overall harmonic structure with the open strings is complex, avoiding a simple triad. It could be interpreted as a C#sus2(add6) with a very distinct #4/b5 interval on the highest string (F). Traditional open chords will likely be challenging to form, encouraging players to discover new voicings. However, the strong C# and G# presence across the lower and middle strings provides excellent opportunities for power chords and drone effects. Shapes that exploit the octaved G# notes (strings 5 and 3) could lead to interesting arpeggios and melodic patterns, particularly around a G# or C# tonal center. Barring across the upper strings could yield interesting clusters and suspended harmonies, moving away from conventional chord shapes.

How to Tune

To achieve the Frippian Echo Half-Step Up tuning from standard E Standard tuning, follow these specific adjustments for each string:

• 6th String (Low E): Tune down 3 semitones to C#3. This is a moderate drop from standard E, ensure your string tension remains stable and tune slowly.
• 5th String (A): Tune down 1 semitone to G#3.
• 4th String (D): Tune up 1 semitone to D#4.
• 3rd String (G): Tune up 1 semitone to G#4.
• 2nd String (B): Tune down 1 semitone to A#4.
• 1st String (High E): Tune up 1 semitone to F4.

Always tune carefully and incrementally. While these adjustments are generally within safe limits for standard gauge strings, it's always recommended to proceed with caution to avoid string breakage or damage to your instrument.

6th String: C#3

5th String: G#3

4th String: D#4

3rd String: G#4

2nd String: A#4

1st String: F4