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C#G#FEC#C Guitar Tuner

C#G#FEC#C | D♭A♭FED♭C Low, Melancholic Alt Tuning - Guitar tuning, chords & scales

Description - Low, Melancholic Alt Tuning

Kinda has a Deftones-y sound. Open strum doesn't sound that great on here, but it sounds majestic on an actual guitar.

Verbal Analysis

This tuning, aptly named "Deftones-esque Low Drop," embodies a dark, brooding, and expansive sonic landscape. As described, it aims for a "melancholic alt" sound, reminiscent of bands like Deftones, emphasizing a heavy, atmospheric, and often dissonant character. While the open strum isn't intended for traditional harmonies, it creates a "majestic" backdrop for intricate riffing and powerful, low-end textures.

The wide range of notes, from the extremely low F2 to the surprisingly high C#5, allows for dynamic contrasts, juxtaposing crushing bass frequencies with shimmering, almost bell-like trebles. It's a tuning built for exploration beyond conventional chord shapes, encouraging the use of power chords, single-note lines, and unique voicings that leverage the inherent tension and release available.

Technical Analysis

The open notes for this tuning are: C#3, G#3, F2, E3, C#5, C4 (from lowest to highest string). This is not an open chord tuning; a full open strum will produce a dissonant and complex sound, as intended for atmospheric effect rather than traditional harmony.

  • The lowest two strings, C#3 (6th) and G#3 (5th), form a perfect fifth, creating a strong C# power chord foundation. This makes heavy, droning riffs on these strings highly accessible.
  • The 4th string is tuned to an exceptionally low F2, providing a deep, guttural bass register that can add significant weight and darkness. The interval between C#3 (6th) and F2 (4th) creates a tritone (augmented 4th/diminished 5th), which contributes to the tuning's inherent tension.
  • The 3rd string is E3, forming intriguing intervals with the surrounding strings. For instance, the C#3 (6th) to E3 (3rd) is a minor third, offering possibilities for melancholic melodic lines.
  • The higher strings present a striking contrast: C#5 (2nd) and C4 (1st). The C#5 is two octaves above the 6th string's C#3, while the C4 is just a semitone below the C#5. This close, high pairing creates potential for sharp, chiming, or slightly dissonant melodies and arpeggios that cut through the low-end heaviness.

This tuning's construction heavily favors two- and three-note power chords, open string drones, and single-note melodic exploration over standard barre chords. It's a tuning designed to evoke mood and texture, with specific attention to creating tension and releasing it through carefully crafted riffs rather than traditional harmonic progressions.

How to Tune

Please note that several strings in this tuning require significant adjustments. Tuning a string down more than 4 semitones or up more than 2-3 semitones typically benefits from or requires a different string gauge to maintain optimal tension and avoid breakage (when tuning up) or excessive looseness/buzz (when tuning down). Please exercise caution during tuning, especially with String 4 and String 1.

  • String 6 (Low E): Tune down 3 semitones to C#3.
  • String 5 (A): Tune down 1 semitones to G#3.
  • String 4 (D): Tune down 9 semitones to F2. Caution: This is a very significant drop and may require a heavier gauge string.
  • String 3 (G): Tune down 3 semitones to E3.
  • String 2 (B): Tune up 2 semitones to C#5. Caution: Tuning up requires care to avoid string breakage.
  • String 1 (High E): Tune down 4 semitones to C4. Caution: This is a significant drop and may benefit from a heavier gauge string.


String 6: C#3

String 5: G#3

String 4: F2

String 3: E3

String 2: C#5

String 1: C4

C#
G#
F
E
C#
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Capos for C#G#FEC#C

Capo Tuning Name
0 C#G#FEC#C Low, Melancholic Alt Tuning

Scales for C#G#FEC#C

A A# B C C# D

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