DAAF#AD Guitar Tuner
DAAF#AD | DAAG♭AD DAAF#AD - Guitar tuning, chords & scales
Verbal Analysis:
This tuning, Open D Major Fifth (D-A-A-F#4-A-D), immediately evokes a rich, full, and highly resonant sound, characteristic of open tunings. It's essentially a D Major chord in the open position, making it incredibly accessible for creating expansive soundscapes with minimal effort. The repeated A notes (perfect fifth) across the 5th, 4th, and 2nd strings provide a strong, droning foundation that lends itself beautifully to folk, blues, fingerstyle, and even experimental genres. Its inherent openness encourages slide guitar playing, allowing for fluid melodic lines and expressive glissandos over the sustained D major harmony, creating a full-bodied, almost orchestral texture.
Technical Analysis:
This is a D Major chord voiced in an unconventional yet harmonically rich manner: D2-A2-A2-F#4-A3-D4. From lowest to highest string, the structure presents the root (D), followed by three instances of the perfect fifth (A), then the major third (F#), and finally another root (D). This specific arrangement, particularly the doubling of the A on the 4th string (which is typically a D in standard Open D tuning), creates a dense harmonic cluster around the fifth, providing a unique sustain and richness that sets it apart from traditional Open D. The tuning's focus on the root and fifth provides a strong tonal center.
Open Chord Possibilities:
With all strings strummed open, you get a full D Major chord. This makes playing in the key of D extremely intuitive and immediately rewarding for both strumming and fingerstyle approaches.
Barre Chord Shapes:
One of the most appealing aspects of this open tuning is the ease of forming major chords up and down the neck. By simply barring across all six strings at any given fret, you can effortlessly achieve major chords. For example:
- Barre at the 1st fret: D# Major (or Eb Major)
- Barre at the 2nd fret: E Major
- Barre at the 3rd fret: F Major
- ...and so on, following the chromatic scale.
Furthermore, the strong presence of the fifth (A) across three strings allows for interesting inversions and partial chords by selectively fretting, providing rich harmonic textures with minimal effort and encouraging creative melodic phrasing.
How to Tune to Open D Major Fifth (D-A-A-F#4-A-D)
To achieve this resonant tuning, follow these specific adjustments from standard E Standard tuning (E-A-D-G-B-E):
- 6th String (Low E): Tune down 2 semitones to D2. (E → D)
- 5th String (A): Keep as is; no change (0 semitones). It remains A2.
- 4th String (D): Tune down 5 semitones to A2. (D → A) Caution: Tuning down 5 semitones is a significant drop in pitch. For optimal string tension, tone, and to prevent string floppiness, consider using a heavier gauge string for the 4th string, especially if you plan to keep the guitar in this tuning for extended periods.
- 3rd String (G): Tune down 1 semitone to F#4. (G → F#)
- 2nd String (B): Tune down 2 semitones to A3. (B → A)
- 1st String (High E): Tune down 2 semitones to D4. (E → D)
After tuning, gently stretch your strings by pulling them slightly away from the fretboard, then give your guitar a quick re-tune to ensure all strings have settled into their new tension and maintain pitch stability.
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- -2
- 0
- -5
- -1
- -2
- -2