DADAEA Guitar Tuner
DADAEA DMC - Guitar tuning, chords & scales
The 'DMC' tuning, named after its association with Detroit Metal City songs, is a unique and powerful open tuning designed for heavy, resonant sounds. It primarily centers around a D tonality, establishing a deep, thick foundation suitable for drop tunings and driving riffs. The overall voicing D-A-D-A-E-A creates a distinctive Dsus2 or Dadd9 open chord, with the fifth (A) prominently featured across multiple strings. This provides a rich, full sound without the need for complex fingerings, making it ideal for powerful, chunky rhythm guitar work.
Technical Analysis
This tuning sets the guitar to D2-A2-D3-A3-E3-A3, from lowest to highest string. This configuration is a variant of a Drop D tuning (D-A-D) on the lower strings, providing immediate access to D-based power chords by simply barring the bottom three strings. The perfect fifth intervals on the lowest three strings (D2-A2-D3) make it ideal for heavy riffing. The inclusion of E3 on the second string introduces a sus2/add9 quality to the open chord, giving it a slightly melancholic or open-ended feel while still maintaining its power. The perfect fourth interval between the 3rd (A3) and 2nd (E3) strings, and the 2nd (E3) and 1st (A3) strings (A-E-A), makes it easy to construct power chords or specific arpeggio shapes on these higher strings by fretting across a single fret. The repeated A notes (A2, A3, A3) further enhance the open Dsus2/Dadd9 character and add to the tuning's overall resonance.
Accessible Chords & Shapes
- Open Chord: The open strings D-A-D-A-E-A form a Dsus2(add5) chord, offering a powerful and resonant starting point.
- Power Chords: Easy access to D5 power chords on the lowest three strings (D-A-D). Simply bar these strings at any fret to play power chords across the neck.
- Octave Power Chords: The D-A-D on strings 6-5-4, combined with A-E-A on strings 3-2-1, allows for interesting voicings and octave power chord shapes.
- Sus2/Add9 Voicings: The inherent Dsus2 quality means that chords based on this shape will sound natural and full.
How to Tune
To achieve the 'DMC' tuning from standard E-A-D-G-B-E tuning, follow these precise steps:
- 6th String (Low E): Tune down 2 semitones to D2.
- 5th String (A): Keep as is; no change (0 semitones) at A2.
- 4th String (D): Keep as is; no change (0 semitones) at D3.
- 3rd String (G): Tune up 2 semitones to A3.
- 2nd String (B): Tune down 7 semitones to E3. *Caution: Tuning this string down 7 semitones is a significant change. A lighter gauge string may be advisable to maintain proper tension and tone.*
- 1st String (High E): Tune down 7 semitones to A3. *Caution: Tuning this string down 7 semitones is a significant change. A lighter gauge string may be advisable to maintain proper tension and tone.*
Please ensure your guitar's intonation is checked after making significant tuning changes.
6th String: D2 (Low D)
5th String: A2 (A)
4th String: D3 (D)
3rd String: A3 (A)
2nd String: E3 (E)
1st String: A3 (High A)
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
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- -7
- A
- D
- G
- C
- E
- A
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- A#
- D#
- G#
- C#
- F
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- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
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- C#
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- D#
- 0
- E
- A
- D
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- B
- E
- 1
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- C
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- B
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- G
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- A
- D
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- 6
- A#
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- 7
- B
- E
- A
- D
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- B
- -2
- 0
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- -7
- -7