DAEAG#E: The Chimey Emo Landscape

As described in its origin, the DAEAG#E tuning is meticulously crafted for bright, chimey midwest emo sounds. It's an inventive modification of the DAEG#AE tuning, where the G# and high A strings have been intentionally switched. This alteration leads to a distinct harmonic structure and open string voicings that inspire new chord shapes and melodic possibilities, perfect for the genre's characteristic shimmering textures and intricate arpeggios.

Technical Analysis & Open Chords

The open strings for this tuning are: D2 A2 E3 A3 G#4 E4. When strummed open, these notes coalesce into a rich, complex chord. While not a conventional triad, its unique construction allows for several harmonic interpretations, often implying extended or suspended qualities:

• If D is considered the root, the notes present are D (root), A (perfect 5th), E (major 9th), A (perfect 5th), G# (a major 3rd relative to E, or a raised 11th/b5 in a D chord), and E (major 9th). This could suggest a D(add9) with an intriguing G#, potentially leading to a Dmaj7(#11) feel if the F# were present, or simply a Dmaj9 variant.
• Alternatively, if E is the perceived root, the open strings provide E (root), G# (major 3rd), A (perfect 4th), and D (minor 7th). This configuration forms an E7sus4 chord, renowned for its bright, ringing, and slightly unresolved quality. This tonality is exceptionally well-suited for the desired "chimey" aesthetic, with the low D and A adding significant depth and resonance to the voicing.
• The interval between the 3rd string (A3) and the 2nd string (G#4) is a wide major 7th (11 semitones). This specific interval is a key contributor to the tuning's unique sparkle and chime, facilitating shimmering arpeggios and open, airy voicings. The subsequent interval from G#4 to E4 on the top two strings (a minor 6th down, or a major 3rd up from E to G#) further enhances the bright and major-leaning character of the tuning.

The repeated A notes (A2 and A3) serve as a strong harmonic anchor, providing stability amidst the more adventurous intervals. The inclusion of G# alongside E inherently creates a major or dominant tonality, while the low D and A strings allow for powerful, resonant bass lines. This tuning encourages players to explore open string drone notes and provides ready access to major and dominant-type chords, particularly those centered around E or A, with added harmonic color from the D. Sliding shapes up and down the neck will unveil new sonic landscapes, proving especially effective for the intricate melodic lines and arpeggiated figures characteristic of midwest emo music.

How to Tune Your Guitar to DAEAG#E

To achieve the DAEAG#E tuning from standard E Standard tuning (E-A-D-G-B-E), follow these precise string adjustments. Always tune with care and verify the pitch using a reliable tuner.

• String 6 (Low E): Tune down 2 semitones (1 whole step) to D2.
• String 5 (A): Keep as is; no change (0 semitones) to A2.
• String 4 (D): Tune up 2 semitones (1 whole step) to E3.
• String 3 (G): Tune up 2 semitones (1 whole step) to A3.
• String 2 (B): Tune down 3 semitones (1 and a half steps) to G4#.
• String 1 (High E): Keep as is; no change (0 semitones) to E4.

Important Note on String Tension: All string adjustments required for this DAEAG#E tuning are within 4 semitones up or down from standard pitch. This typically means your current string gauge should be perfectly suitable for these changes, maintaining optimal playability and string longevity. For tunings that demand movements exceeding 4 semitones in either direction, it is generally advised to consider a different string gauge to ensure proper tension, prevent potential string breakage, and safeguard your instrument's neck. Always exercise caution when adjusting string tension.