Verbal Analysis

This tuning, playfully named "High Cello Tenor," creates the unique sonority of a cello played with a capo at the second fret, specifically adapted for a tenor guitar. It offers a brighter, more articulate sound than a standard cello, while retaining the instrument's characteristic rich and resonant quality. This makes it an excellent choice for melodic lines, intricate fingerstyle arrangements, or adding a distinct voice to an ensemble. It evokes a feeling of lightness and clarity, yet still possesses a lovely depth. Players may find it inspiring for classical pieces, folk music, or experimental compositions, leveraging its higher register to cut through a mix.

Technical Analysis

The "High Cello Tenor" tuning sets the strings to D2-A2-E3-B3. This is an all-fifths tuning, identical in interval structure to a standard cello (C-G-D-A), violin, or mandolin. Crucially, this tuning is a full step (two semitones) higher than standard cello tuning. The open strings themselves (D-A-E-B) do not immediately form a common chord, but the consistent perfect fifth interval between each string makes chord construction logical and intuitive across the fretboard. Common chord shapes derived from fifths tunings are easily accessible; for example, barring a fret will create a power chord (e.g., 2nd fret = E-B-F#-C#). Open perfect fifths are naturally available by playing adjacent strings. This structure naturally facilitates arpeggiated figures and melodic improvisation across the neck, making it particularly versatile for players accustomed to string family instruments.

Tuning Notes

• String 4: D2 (Low D) - This is the lowest string, providing a deep, resonant foundation for the tuning.
• String 3: A2 (A below Middle C) - A perfect fifth above the lowest string, offering a balanced and clear mid-range.
• String 2: E3 (E above Middle C) - Continuing the pattern of perfect fifths, this string brings a brighter, more singing quality to the tuning.
• String 1: B3 (B above Middle C) - The highest string, completing the perfect fifth interval sequence and providing sparkling top notes.

How to Tune

To achieve the "High Cello Tenor" tuning, follow these instructions based on the provided string movements. Please exercise caution, especially when making significant adjustments. When tuning movements exceed negative 4 or positive 4 semitones, a different gauge string is generally advised for optimal playability and tension.

• String 4 (Lowest String, target D2): Tune down 7 semitones. This is a substantial drop. We strongly advise checking your string gauge to ensure it can handle this reduction in tension without becoming too floppy or causing intonation issues. A heavier gauge string is recommended for optimal performance.
• String 3 (target A2): Tune down 5 semitones. This is also a significant adjustment. We recommend considering if your current string gauge will maintain adequate tension and intonation at this lower pitch, and a heavier gauge might be beneficial.
• String 2 (target E3): Tune down 3 semitones. This is a moderate drop, which should be manageable with standard string gauges, though you might notice a slight reduction in string tension.
• String 1 (Highest String, target B3): Keep as is; no change (0 semitones). This string remains at its current pitch.