DDGCEAD Guitar Tuner
DDGCEAD DDGCEAD - Guitar tuning, chords & scales
This is the "DDGCEAD" tuning, specifically known as a D-tuning heavily favored by the Nu-Metalcore band Diamond Construct. It provides an exceptionally deep and aggressive tonal palette, perfect for modern heavy music.
Verbal Analysis
The "DDGCEAD" tuning plunges your guitar into a realm of immense depth and power. With its incredibly low D1 on the 7th string, followed by an octave D2, it creates an enormous sonic foundation that feels both guttural and resonant. This is a tuning designed for crushing riffs, atmospheric soundscapes, and a wall-of-sound attack. The substantial drop in pitch across most strings imbues the instrument with a sludgy, detuned character, ideal for the breakdown-heavy and dissonant aesthetics of Nu-Metalcore. It fosters a feeling of heaviness and tension, enabling both chugging rhythms and expansive open-string drones.
Technical Analysis
This 7-string tuning sets the open notes as D1 D2 G2 C3 E3 A3 D4 (from lowest to highest string). The defining characteristic is the low D at its root, repeated an octave higher on the 6th string, providing a massive low-end thud. Analyzing the intervals relative to the root D (D1):
- 7th String (D1): Root
- 6th String (D2): Perfect Octave
- 5th String (G2): Perfect 4th (from D2) / Perfect 11th (from D1)
- 4th String (C3): Perfect 4th (from G2) / Minor 7th (from D1)
- 3rd String (E3): Major 3rd (from C3) / Major 9th (from D1)
- 2nd String (A3): Perfect 4th (from E3) / Perfect 5th (from D1)
- 1st String (D4): Perfect 4th (from A3) / Perfect Octave (from D1)
The open notes of the tuning, D, G, C, E, A, collectively form a D Dorian-like scale without an F (D E G A C). This suggests a strong modal influence and a leaning towards open, suspended, or minor-ish voicings rather than traditional major harmonies.
Potential Chords & Voicings
While not a simple open major or minor triad, this tuning offers a wealth of possibilities for heavy music:
- Open Power Chords: The presence of D1, D2, A3, and D4 means a natural D5 (root-5th-octave) power chord is readily available across various string sets, providing a powerful sonic anchor.
- Stacked Fourths: The upper strings (G2 C3 E3 A3 D4) feature several perfect fourth intervals (G-C, E-A, A-D). This construction is excellent for forming modern, wide, and aggressive power chords or dissonant clusters by simply barring across these strings at various frets.
- Droning & Dissonance: The full open tuning (D D G C E A D) presents a complex, extended chord (effectively Dsus4(b7 add9) over a low D pedal). This sound is ripe for open-string drones, ambient textures, and creating a dense, dissonant backdrop for heavy riffs.
- Easy Low Chords: The low D1 and D2 make drop-D style power chords on the lowest strings incredibly easy and impactful. Barring across the low strings produces a huge, low-end rumble.
How to Tune
To achieve the DDGCEAD tuning, carefully adjust each string as follows:
- 7th String: Tune down 9 semitones to D1.
- 6th String: Tune down 2 semitones to D2.
- 5th String: Tune down 2 semitones to G2.
- 4th String: Tune down 2 semitones to C3.
- 3rd String: Tune down 3 semitones to E3.
- 2nd String: Tune down 2 semitones to A3.
- 1st String: Tune down 2 semitones to D4.
Important Note: This tuning involves significant drops for several strings, particularly the 7th string which is tuned down 9 semitones. When tuning down more than 4 semitones or up more than 4 semitones, it is generally recommended to consider using a different gauge of string better suited for the altered tension to ensure optimal playability and intonation, and to prevent potential damage to your instrument.
String 7: D1
String 6: D2
String 5: G2
String 4: C3
String 3: E3
String 2: A3
String 1: D4
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Capos for DDGCEAD
| Capo | Tuning | Name |
|---|---|---|
| 0 | DDGCEAD | DDGCEAD |
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Tuning Map
- Fret
- S7
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- A#
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- B
- E
- A
- D
- G
- B
- E
- -11
- C
- F
- A#
- D#
- G#
- C
- F
- -10
- C#
- F#
- B
- E
- A
- C#
- F#
- -9
- D
- G
- C
- F
- A#
- D
- G
- -8
- D#
- G#
- C#
- F#
- B
- D#
- G#
- -7
- E
- A
- D
- G
- C
- E
- A
- -6
- F
- A#
- D#
- G#
- C#
- F
- A#
- -5
- F#
- B
- E
- A
- D
- F#
- B
- -4
- G
- C
- F
- A#
- D#
- G
- C
- -3
- G#
- C#
- F#
- B
- E
- G#
- C#
- -2
- A
- D
- G
- C
- F
- A
- D
- -1
- A#
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- B
- E
- A
- D
- G
- B
- E
- 1
- C
- F
- A#
- D#
- G#
- C
- F
- 2
- C#
- F#
- B
- E
- A
- C#
- F#
- 3
- D
- G
- C
- F
- A#
- D
- G
- 4
- D#
- G#
- C#
- F#
- B
- D#
- G#
- 5
- E
- A
- D
- G
- C
- E
- A
- 6
- F
- A#
- D#
- G#
- C#
- F
- A#
- 7
- F#
- B
- E
- A
- D
- F#
- B
- -9
- -2
- -2
- -2
- -3
- -2
- -2
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