DGCFAD Guitar Tuner
DGCFAD D Standard - Guitar tuning, chords & scales
Description - D Standard
DGCFAD (D Standard) is the same as EADGBE but every string is tuned a whole step down. This preserves the intervals between the strings, and thus all chord shapes and scales work the same, except they sound lower.
One way to achieve this is to tune your low E to a D as in drop D and then tune the rest of the strings in relation to that, for example by using the "5:th fret to open string"-method.
D Standard Tuning: A Deeper Sound for Your Guitar
D Standard tuning, also known as DGCFAD, is a popular alternative tuning for the Guitar that lowers every string by a whole step (two semitones) compared to standard EADGBE tuning. This fundamental shift creates a noticeably deeper, darker, and heavier sonic landscape, making it a favorite for genres like hard rock, metal, and stoner rock, but also offering a rich, resonant tone for any style that benefits from a lower register.
Technical Analysis & Musical Implications
The defining characteristic of D Standard is that it meticulously preserves the intervallic relationships between all strings found in standard E tuning. This means that all chord shapes, scale patterns, and arpeggios that you know and love in EADGBE are directly transferable. The only difference is that their absolute pitch is lowered by a whole step. For example, playing an 'E' major chord shape will now sound as a 'D' major chord; an 'A' minor shape will produce a 'G' minor chord, and so on. This makes D Standard incredibly intuitive for players transitioning from standard tuning, as the fingerings remain identical, only the overall pitch is lowered across the board.
The open strings in D Standard are D-G-C-F-A-D. These notes themselves offer a rich harmonic palette and enable various open chords:
- Playing all six open strings together creates a resonant Dsus2add4 or Dsus4add2 chord, contributing to a full, open sound that can be effectively used as a drone or for powerful strumming.
- Specific combinations of open strings can yield fundamental chords. For instance, the 6th (D), 2nd (A), and 1st (D) strings, when played open, form a clear D Major chord.
- The 6th (D), 5th (G), and 4th (C) strings provide a powerful foundation, ideal for creating chunky power chords and riffs with a darker character.
- The open 6th (D), 4th (C), 3rd (F), 2nd (A), and 1st (D) strings, when played selectively, can outline a Dm7 chord, adding a bluesy or jazzy flavor.
- Due to the consistent lowering, many standard open chord shapes, such as a C Major shape, will now yield a B♭ Major, an F Major shape becomes an E♭ Major, and so forth.
The lower string tension, a result of tuning down all strings, can also make string bending easier, while the increased resonance contributes to a fatter, more sustained tone, especially beneficial for heavy riffs and thick lead lines.
How to Tune Your Guitar to D Standard
To achieve D Standard tuning from standard EADGBE, you will need to lower each string by two semitones (a whole step). Carefully adjust each string as follows:
- 6th String (Low E): Tune down 2 semitones to D2.
- 5th String (A): Tune down 2 semitones to G2.
- 4th String (D): Tune down 2 semitones to C3.
- 3rd String (G): Tune down 2 semitones to F3.
- 2nd String (B): Tune down 2 semitones to A3.
- 1st String (High E): Tune down 2 semitones to D4.
Since all strings are only being lowered by two semitones, it is generally safe to use your existing string set. However, some players may prefer to use a slightly heavier gauge string set to compensate for the reduced tension and maintain a tighter feel and intonation, especially if aggressive playing or a very taut feel is desired.
6th String: D2
5th String: G2
4th String: C3
3rd String: F3
2nd String: A3
1st String: D4
Comments - have your say on DGCFAD
Expand
Capos for DGCFAD
Capo | Tuning | Name |
---|---|---|
-11 | D#G#C#F#A#D# | |
-10 | EADGBE | Standard Down 1 Octave |
-9 | FA#D#G#CF | F1 Standard |
-8 | F#BEAC#F# | F# Standard |
-7 | GCFA#DG | G C F A# D G |
-6 | G#C#F#BD#G# | G# Standard (6 String) |
-5 | ADGCEA | Standard <5 |
-4 | A#D#G#C#FA# | C# M6/9 |
-3 | BEADF#B | Baritone |
-2 | CFA#D#GC | Standard Down 2 (metal) |
-1 | C#F#BEG#C# | Standard Tone+Semi Down |
0 | DGCFAD | D Standard |
1 | EADGBE_HALF_DOWN | Standard Semi Down |
2 | EADGBE | Standard Guitar Tuning |
3 | FA#D#G#CF | Standard Semi Up |
4 | F#BEAC#F# | SMITHS |
5 | GCFA#DG | G Tuning (Terz Guitar) |
6 | G#C#F#BD#G# | G# Tuning |
7 | ADGCEA | Mini Guitar |
8 | A#D#G#C#FA# | Fret 6 |
9 | BEADF#B | Break Your Strings |
More DGCFAD Resources
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Songs tuned to DGCFAD
Artist | Song | Album | Tab |
---|---|---|---|
Goo Goo Dolls | Give A Little Bit | Star Lounge 2005 Collection | View Tab |
Jars Of Clay | Trouble Is | 20 | View Tab |
Pink Floyd | Dogs | Variations on a Theme of Absence | View Tab |
Mötley Crüe | Dr. Feelgood | 2005-07-02: Live8, Park Place, Barrie, ON, Canada | View Tab |
Metallica | Whiskey in a Jar | View Tab | |
Machine Head | Aesthetics of Hate | Catharsis | View Tab |
Judas Priest | Hellrider | Rising in the East | |
Michael Jackson | Beat It | Michael Jackson's Vision | |
Death | Crystal Mountain | Live in L.A. (Death & Raw) | View Tab |
Death | Scream Bloody Gore | Non:Analog - On:Stage Series - Tampa, FL 02-10-1989 | View Tab |
Death | 1000 Eyes | View Tab |
Please use the below form to submit a song for DGCFAD that is not already on gtdb.org.
Videos for DGCFAD on
Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- -2
- -2
- -2
- -2
- -2
- -2