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DGDAAE Guitar Tuner

DGDAAE Jedi - Guitar tuning, chords & scales

Description - Jedi

A7sus4
Submitted by Bkjh on 30th January 2023

Verbal Analysis: This "Jedi" tuning, as described by its submitter, aims for an A7sus4 feel, but when strummed open, it actually presents a deep and resonant open Dsus2sus4 sound across its strings: D G D A A E. It offers a unique sonic landscape, particularly well-suited for ambient soundscapes, fingerstyle arrangements, or folk music where a rich, sustained drone is desired. The low D and G strings provide a powerful foundation, while the doubled A strings create a full, ringing fifth. The high E string adds a sparkling second, enhancing the overall harmonic complexity. This tuning feels expansive and can inspire creative voicings not easily achieved in standard tuning.

Technical Analysis: Technically, the "Jedi" tuning configures the guitar strings to D2 G2 D3 A3 A3 E4. This setup creates a distinct Dsus2sus4 chord when strummed open, comprising the root (D), sus4 (G), 5th (A), and sus2 (E). A notable feature is the unison tuning of the 3rd and 2nd strings to A3, which significantly reinforces the perfect fifth of the D chord, adding density and sustain. The lowest three strings (D G D) hint at a drop-tuning aesthetic, providing a powerful bass register. The arrangement of notes, particularly the repeated D and A, creates a strong tonal center around D, making it fertile ground for modal explorations and chord voicings that lean into its inherent suspended qualities. While the user's description mentioned A7sus4, the actual open notes clearly form a Dsus2sus4, offering a different but equally compelling harmonic playground.

Open Chords and Possibilities

When played open, this tuning naturally produces a rich Dsus2sus4 chord (D G D A A E). This makes it incredibly accessible for beginners to achieve a full, complex sound with a single strum. Due to the D-centric nature, exploring variations of D major, D minor, Dsus2, Dsus4, and Dadd9 chords becomes intuitive by simply fretting around the open D, G, A, and E notes. The parallel A strings (3rd and 2nd) also make it easy to create impactful power chords or open fifths. Barring across different frets will yield new chord voicings, for example:

  • A barre at the 5th fret (G C G D D A) would create a type of Gsus2/sus4.
  • A barre at the 7th fret (A D A E E B) would create a type of Asus2/sus4.

The unison A3 strings provide excellent opportunities for drone notes or for experimenting with melodic lines that jump between the two strings for added texture.

How to Tune to Jedi

To achieve the "Jedi" tuning from standard E Standard tuning (E A D G B E), follow these steps carefully:

  • String 6 (Low E): Tune down 2 semitones to D2.
  • String 5 (A): Tune down 2 semitones to G2.
  • String 4 (D): Keep as is; no change to D3 (0 semitones).
  • String 3 (G): Tune up 2 semitones to A3.
  • String 2 (B): Tune down 2 semitones to A3.
  • String 1 (High E): Keep as is; no change to E4 (0 semitones).

Please remember to tune carefully and check your intonation after making significant changes to string tension.



String 6 (Lowest String): D2

String 5: G2

String 4: D3

String 3: A3

String 2: A3

String 1 (Highest String): E4

D
G
D
A
A
E

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Capos for DGDAAE

Capo Tuning Name
0 DGDAAE Jedi

Scales for DGDAAE

A A# B C C# D

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