DGDF#A#D# Guitar Tuner
DGDF#A#D# | DGDG♭B♭E♭ Dream Tuning - Guitar tuning, chords & scales
The "Dream Tuning" is a truly unique and adventurous setup for the guitar, designed to unlock a very specific and ethereal sonic landscape. As its name suggests, it encourages exploration beyond conventional harmony, leading to rich, often haunting, and complex tonal possibilities. It's a tuning that inspires very particular compositions, ideal for players seeking to craft atmospheric, progressive, or experimental pieces.
Technical Analysis:
The open strings are tuned to D2 G2 D3 F#4 A#4 D#5. This tuning presents a fascinating and complex harmonic structure. The lower three strings (D2, G2, D3) provide a solid, resonant foundation, essentially a Dsus4 chord with an octave D. However, the higher three strings (F#4, A#4, D#5) introduce a significant twist. When combined with the D3, they form a D Augmented chord (D F# A#) with an added D# (enharmonic Eb), which functions as a #9. The overall open chord, therefore, is a highly chromatic and extended D(add4)(Aug5)(#9).
The most striking feature is the extremely high pitch of the top three strings, particularly String 1 (D#5), which is an octave and a semitone higher than standard E4. This creates a very wide tonal range and demands careful consideration for string tension and gauge. This tuning is not geared towards simple strumming of open major or minor chords, but rather for intricate fingerstyle, arpeggiation, or drone-based textures where its unique harmonic intervals can truly shine. Power chords on the lower D and G strings will be easily accessible, offering a strong contrast to the higher, more tensioned notes.
It is important to note a potential discrepancy: while the string movements described in the "How to Tune" section indicate minor semitone adjustments from standard tuning, the target notes for strings 3, 2, and 1 (F#4, A#4, D#5) are an octave higher than what those semitone adjustments alone would typically yield from standard G3, B3, E4. If your intention is to achieve these exceptionally high pitches, it is strongly advised to use very light gauge strings specifically designed for high tension and to approach tuning with extreme caution to prevent string breakage or potential damage to your guitar.
How to Tune:
To achieve the "Dream Tuning" from standard EADGBe, follow these steps:
- String 6 (Low E): Tune down 2 semitones to D2.
- String 5 (A): Tune down 2 semitones to G2.
- String 4 (D): Keep as is; no change (0 semitones) to D3.
- String 3 (G): Tune down 1 semitone to F#3. Note: While the instruction is to tune down 1 semitone, the target for this tuning is F#4, an octave higher. Reaching F#4 from standard G3 would involve a significant pitch increase, demanding very light strings.
- String 2 (B): Tune down 1 semitone to A#3. Note: Similar to String 3, the target for this tuning is A#4, an octave higher. This requires extreme tension and lighter strings.
- String 1 (High E): Tune down 1 semitone to D#4. Note: Again, the target for this tuning is D#5, an octave higher. Exercise extreme caution and use appropriate string gauges for such a high pitch.
Important Caution: The target notes for the higher strings (F#4, A#4, D#5) are considerably above standard tuning pitches for a typical guitar setup, despite the 'string_movements' indicating relatively small semitone adjustments. If you intend to tune to these higher octave notes, very light gauge strings are absolutely essential. Tuning standard gauge strings to these pitches will almost certainly lead to string breakage and could potentially damage your guitar's neck or bridge. We recommend consulting a professional luthier if you are unsure about the appropriate string gauge or if your instrument can handle such high tension.
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Capos for DGDF#A#D#
| Capo | Tuning | Name |
|---|---|---|
| 0 | DGDF#A#D# | Dream Tuning |
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- -2
- -2
- 0
- -1
- -1
- -1
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