DGDF#GD Guitar Tuner
DGDF#GD | DGDG♭GD Mythological Beuaty - Guitar tuning, chords & scales
This is a distinctive and atmospheric open tuning for the Guitar, famously utilized in Big Thief's song "Mythological Beauty." It moves beyond standard open chords, offering a rich sonic landscape perfect for intricate fingerpicking, ambient textures, and expressive chord voicings. The overall sound is lush and somewhat suspended, creating a unique emotional resonance that can be both reflective and expansive, perfectly suited for the song's beautiful and ethereal quality.
Technical Analysis
The tuning consists of the notes D2 G2 D3 F#4 G3 D4, from the lowest to the highest string. At its core, this is a variation of an Open D tuning, characterized by a prominent D major triad (D, F#) across the strings. However, the inclusion of two G notes (G2 and G3) introduces a strong suspended 4th element (G is the fourth of D), giving the tuning its unique "Dsus4" character rather than a simple D major. The specific arrangement of notes allows for a dense harmonic structure even with open strings, emphasizing quartal and suspended voicings. The intervals from the lowest D (D2) are: Root (D2), Perfect 4th (G2), Octave (D3), Major 3rd (F#4, two octaves up), Perfect 4th (G3, one octave up), and Octave (D4, two octaves up).
Open Chords and Possibilities
- Strumming all open strings produces a rich, complex Dsus4 chord, perfect for ambient pads, arpeggiated figures, or driving rhythms.
- A full barre across all strings at any fret will maintain the intervallic relationships, allowing for easy transposition of the open Dsus4 sound. For example, a barre at the 2nd fret yields an Esus4, and at the 5th fret, a Gsus4.
- The pairing of D and G on adjacent strings (6th-5th and 2nd-1st) and the octave D-D on 6th-4th and 4th-1st strings lend themselves well to droning notes and open string pedal tones, creating a sustained, resonant quality crucial for atmospheric music.
- The presence of F# on the 3rd string firmly grounds the D major tonality, while the surrounding Gs add tension and release. Experiment with simple two-finger voicings to create unique harmonic clusters, such as fretting the 3rd string at the 1st fret (G) while letting the surrounding D and G strings ring, creating interesting quartal harmony or a D7sus4 flavor.
How to Tune
To achieve the Open Dsus4 Harmony tuning, carefully adjust your guitar strings from standard E-A-D-G-B-E (low to high) as follows:
- 6th String (Low E): Tune down 2 semitones to D2.
- 5th String (A): Tune down 2 semitones to G2.
- 4th String (D): Keep as is; no change (0 semitones) to D3.
- 3rd String (G): Tune down 1 semitone to F#4.
- 2nd String (B): Tune down 4 semitones to G3. Caution: Tuning down 4 semitones is a significant change. If you plan to use this tuning frequently or for extended periods, it is advisable to consider using a heavier gauge string for the 2nd string to maintain optimal tension and tone. Always tune carefully to avoid string damage.
- 1st String (High E): Tune down 2 semitones to D4.
6th String: D2 (tuned down from E)
5th String: G2 (tuned down from A)
4th String: D3 (no change from standard D)
3rd String: F#4 (tuned down from G)
2nd String: G3 (tuned down from B)
1st String: D4 (tuned down from E)
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Capos for DGDF#GD
| Capo | Tuning | Name |
|---|---|---|
| -2 | CFCEFC | CFCEFC |
| 0 | DGDF#GD | Mythological Beuaty |
| 1 | D#G#D#GG#D# | DGDF#GD Capo 1 D# |
| 2 | EAEG#AE | EAEG#AE |
More DGDF#GD Resources
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Songs tuned to DGDF#GD
| Artist | Song | Album | Tab |
|---|---|---|---|
| Vs Self | Yesterday By The Beatles Or Imagine By Yoko Ono As Sung By John Lennon |
Please use the below form to submit a song for DGDF#GD that is not already on gtdb.org.
Videos for DGDF#GD on
Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- -2
- -2
- 0
- -1
- -4
- -2
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