This unique guitar tuning, identified by its note sequence DGDGBE, presents an intriguing and deeply resonant sound profile. It was notably referenced in the context of "dragon ball z budokai tenkaichi 4 tab by camping in alaska," suggesting its use in specific musical arrangements that benefit from its particular tonal characteristics.

Verbal Analysis

The DGDGBE tuning offers a rich, resonant sound, especially with its dropped low E and A strings, combined with a dramatically lowered B string. This creates a deep, full bottom end that can lend itself well to genres like folk, rock, or even metal where a heavy, droning quality is desired. The open strum yields a G6 chord, providing a slightly melancholic or sophisticated flavor compared to a simple major chord. The arrangement of the lower strings (D-G-D-G) provides a powerful open G drone, excellent for rhythmic strumming and slide guitar techniques, while the unique B2 and E4 strings allow for interesting melodic possibilities and chord voicings.

Technical Analysis

This tuning is set for a standard Guitar. Starting from standard EADGBe, the tuning involves significant alterations to several strings:

• The 6th string (low E) is tuned down by 2 semitones to D2.
• The 5th string (A) is tuned down by 2 semitones to G2.
• The 4th string (D) remains at D3.
• The 3rd string (G) remains at G3.
• The 2nd string (B) undergoes a drastic change, tuning down an entire octave (12 semitones) to B2. This significant drop requires careful consideration for string gauge to maintain proper tension and intonation.
• The 1st string (high E) remains at E4.

The open strings D2 G2 D3 G3 B2 E4 create the following harmonic possibilities:

• Open Chord: An open strum across all six strings forms a G6 chord (D G D G B E – which contains the notes G, B, D, E). This makes open position G6 chords easily accessible and resonant.
• Power Chords: The consecutive D-G-D-G on the lower strings makes it very easy to achieve powerful, droning G power chords. Moving these shapes up the neck will allow for quick power chord changes.
• Movable Shapes: Barring across the D-G-D-G-B strings will create movable G major chord shapes up the neck, while the high E string offers opportunities for melodic embellishments or extensions.
• Alternative Voicings: Due to the low B string, unique chord voicings that combine the deep B with higher open strings are readily available, offering a distinct harmonic texture.

Players using this tuning will find a strong emphasis on the root (G) and fifth (D) intervals in the lower register, providing a solid foundation for melodic lines or heavy riffing.

Important Note on String Gauge: The extreme drop of the 2nd string (B string) by 12 semitones means it will be significantly looser than usual. For optimal playability, intonation, and to prevent string breakage or excessive buzzing, it is highly recommended to use a heavier gauge string for the 2nd string when employing this tuning. String movements exceeding 4 semitones up or down generally warrant a different gauge string.

Tuning Notes (DGDGBE)

String 6 (lowest): D2
String 5: G2
String 4: D3
String 3: G3
String 2: B2
String 1 (highest): E4

How to Tune

To achieve the DGDGBE tuning from standard EADGBe, follow these steps:

• String 6 (Low E): Tune down 2 semitones from E to D2.
• String 5 (A): Tune down 2 semitones from A to G2.
• String 4 (D): Keep as is; no change (0 semitones), remains D3.
• String 3 (G): Keep as is; no change (0 semitones), remains G3.
• String 2 (B): Tune down 12 semitones from B to B2. Caution: This is a significant drop of a full octave. Consider using a heavier gauge string for this string to maintain proper tension and intonation, as the string will be very loose.
• String 1 (High E): Keep as is; no change (0 semitones), remains E4.