D#A#A#D#G#D# Guitar Tuner
D#A#A#D#G#D# | E♭B♭B♭E♭A♭E♭ D#a#a#d#g#d# - Guitar tuning, chords & scales
Tuning Analysis: D# Heavy Drone
The 'D# Heavy Drone' tuning, technically noted as D# A# A# D# G# D#, transforms your standard six-string guitar into a resonant, powerful instrument. It's ideally suited for genres demanding a deep, driving sound like metal, doom, hard rock, or even expansive blues and progressive rock. This tuning fundamentally shifts the guitar's sonic landscape to emphasize a rich D# drone, offering immense sonic possibilities and a dark, weighty feel with minimal effort.
Technical Breakdown
Compared to standard E A D G B E tuning, this configuration involves significant changes across most strings. The open strings are arranged as follows:
- 6th String (Low E position): D#3
- 5th String (A position): A#3
- 4th String (D position): A#3
- 3rd String (G position): D#4
- 2nd String (B position): G#4
- 1st String (High E position): D#5
Harmonically, this tuning is built upon a D# root (6th string), with the A# (5th string) providing a strong perfect fifth. The repetition of A# on the 4th string reinforces this fifth, creating a robust power chord foundation. The 3rd string returns to a D# an octave higher, and the 1st string continues this pattern with a D# two octaves above the lowest root. The G# on the 2nd string is particularly interesting; relative to the D# root, it functions as a minor seventh, or a perfect fourth relative to the D#4. This gives the open tuning a complex, rich character, leaning towards a D#m7 (D# A# D# G#) or D#sus4 quality (D# G# A#). The repeated D# and A# notes across multiple octaves create a thick, layered sound with remarkable sustain and drone capabilities, making the instrument feel incredibly full and resonant even when played open.
Chords and Playability
This tuning significantly simplifies playing power chords and drone-based riffs. Due to the arrangement of D# (root) and A# (fifth) on the lower strings, and the overall consonant nature of the open strings, a single-finger barre across any fret will yield a powerful and harmonically consistent chord. For example, a barre at the 1st fret would give you a strong E A A E A E voicing. Moving this shape up or down the neck will maintain its inherent power and character.
The open D# A# A# D# G# D# makes it easy to experiment with modal playing around the D#, A#, and G# notes. Drone-based riffs using the lowest D# and A# strings will sound particularly heavy and full. Given the chordal structure, two-finger power chords (root and fifth) are incredibly accessible, and the minor seventh (G#) allows for easy incorporation of bluesy or dominant 7th voicings.
How to Tune
Please follow these instructions carefully. Some strings require significant adjustments, and it's always advisable to tune slowly and carefully to avoid string breakage or damage to your instrument. When string movements exceed 4 semitones up or down, considering a different gauge string might be beneficial for optimal tension and tone.
- 6th String (Low E): Tune down 1 semitone from E to D#3.
- 5th String (A): Tune up 1 semitone from A to A#3.
- 4th String (D): Tune down 4 semitones from D to A#3. (Caution: This is a significant drop; a heavier gauge string may be advised for optimal tension.)
- 3rd String (G): Tune down 4 semitones from G to D#4. (Caution: This is a significant drop; a heavier gauge string may be advised for optimal tension.)
- 2nd String (B): Tune down 3 semitones from B to G#4.
- 1st String (High E): Tune down 1 semitone from E to D#5.
6th String: Standard E3 becomes D#3 (tuned down 1 semitone).
5th String: Standard A3 becomes A#3 (tuned up 1 semitone).
4th String: Standard D4 becomes A#3 (tuned down 4 semitones).
3rd String: Standard G4 becomes D#4 (tuned down 4 semitones).
2nd String: Standard B4 becomes G#4 (tuned down 3 semitones).
1st String: Standard E5 becomes D#5 (tuned down 1 semitone).
Comments - have your say on D#A#A#D#G#D#
Capos for D#A#A#D#G#D#
| Capo | Tuning | Name |
|---|---|---|
| 0 | D#A#A#D#G#D# | D#a#a#d#g#d# |
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- -1
- 1
- -4
- -4
- -3
- -1
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