D#A#A#F#A#C# Guitar Tuner
D#A#A#F#A#C# | E♭B♭B♭G♭B♭D♭ - Guitar tuning, chords & scales
Tuning Analysis: Mayonaise
The 'Mayonaise' tuning for guitar is an intriguing and harmonically rich custom setup. While the original description provided is unconventional, the technical analysis reveals a highly musical and dark character. This tuning centers around a D# minor 7th chord, providing a deep and resonant foundation perfect for atmospheric or heavy musical styles.
Technical Analysis:
The open strings are tuned to D#3 A#3 A#3 F#4 A#4 C#5. This arrangement immediately highlights a strong D# minor 7th chord (D#-F#-A#-C#), with a unique emphasis due to the doubled A# notes on the 5th and 4th strings.
- Harmonic Foundation: The open strings collectively form a D# minor 7th chord (D#, F#, A#, C#). This creates a very full and melancholic sound when strummed open.
- Unique Voicing: The identical A# notes on the 5th and 4th strings (A#3 and A#3) create a powerful drone or root/fifth effect when played with the low D#. This unique duplication can make for interesting voicings and simplify chord shapes across these strings.
- Intervals: Examining the intervals from low to high:
- String 6 (D#3) to String 5 (A#3): Perfect 5th
- String 5 (A#3) to String 4 (A#3): Unison
- String 4 (A#3) to String 3 (F#4): Diminished 5th (or augmented 4th)
- String 3 (F#4) to String 2 (A#4): Minor 3rd
- String 2 (A#4) to String 1 (C#5): Minor 3rd
The consecutive minor third intervals on the higher strings (F#-A#-C#) provide an accessible structure for melodic lines and arpeggios within the D# minor scale, making it relatively easy to navigate for lead playing or creating cascading sounds.
Open Chords & Playability:
The open tuning itself is a rich D# minor 7th. This means that simply strumming all open strings will produce a full, dark chord. The repeated A# notes provide a strong anchor. Due to the diminished 5th between the 4th and 3rd strings (A# to F#) and the subsequent minor thirds, barre chords might require some adjustment, but the inherent D# minor 7th shape is highly accessible. Shapes for other minor chords, particularly those related to D# minor, might fall easily under the fingers. This tuning would be particularly well-suited for blues, rock, metal, or even ambient music looking for a somber and expansive sound.
Tuning Notes for Mayonaise
Here are the specific notes for each string in the 'Mayonaise' tuning, from the thickest (6th) to the thinnest (1st) string:
- String 6 (Low E): D#3
- String 5 (A): A#3
- String 4 (D): A#3
- String 3 (G): F#4
- String 2 (B): A#4
- String 1 (High E): C#5
How to Tune Your Guitar for Mayonaise
To achieve the 'Mayonaise' tuning from standard E Standard tuning, follow these adjustments for each string. Please exercise caution, especially with significant pitch changes, and consider string gauge if adjustments exceed 4 semitones.
- String 6 (Low E): Tune down 1 semitones from E to D#3.
- String 5 (A): Tune up 1 semitones from A to A#3.
- String 4 (D): Tune down 4 semitones from D to A#3. Caution: Tuning down 4 semitones is a significant change. If your strings feel too slack, a heavier gauge string is advised for this position.
- String 3 (G): Tune down 1 semitones from G to F#4.
- String 2 (B): Tune down 1 semitones from B to A#4.
- String 1 (High E): Tune down 3 semitones from E to C#5.
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Capos for D#A#A#F#A#C#
| Capo | Tuning | Name |
|---|---|---|
| 0 | D#A#A#F#A#C# | |
| 1 | EBBGBD | Mayonaise |
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- -1
- 1
- -4
- -1
- -1
- -3
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