D#A#D#GA#D# Guitar Tuner
D#A#D#GA#D# | E♭B♭E♭GB♭E♭ D# A# D# G A# D# - Guitar tuning, chords & scales
Verbal Analysis: The Expansive D# Major Soundscape
This unique and highly evocative tuning, famously associated with Wilbur Soot's song "Mine/Yours," crafts a wonderfully resonant and expansive soundscape. At its core, it establishes an open D# Major chord across all strings, allowing for rich, full harmonies to ring out with exceptional ease. The lower strings (6th, 5th, and 4th) are set to deep D# and A# notes, providing a powerful, grounding foundation reminiscent of robust drop tunings.
What truly distinguishes this tuning, however, is the dramatic upward pitch shift of the higher strings. The second and first strings are tuned to A#4 and D#5 respectively, creating an incredibly wide and bright sonic palette. This vast range facilitates captivating open string harmonies and allows for intricate melodic lines that traverse multiple octaves. The central G string perfectly harmonizes as the major third of the overall D# tonality, ensuring a full and vibrant character. This setup is particularly well-suited for fingerstyle arrangements or strumming patterns that highlight its inherent major chord structure, offering a sound that can evoke both profound melancholy and uplifting brightness.
Technical Analysis: D# A# D# G A# D#
The instrument type for this tuning is a Guitar. The specific notes for the open strings, from low to high (6th to 1st string), are D#2 A#2 D#3 G3 A#4 D#5. This tuning is explicitly noted as being used for "mine/yours wilbur soot."
Chordal Properties & Intervals:
When played open, this tuning produces a full D# Major chord (D#, G, A#). The root (D#) is present on strings 6, 4, and 1. The perfect fifth (A#) is on strings 5 and 2, while the major third (G) is uniquely placed on string 3. This arrangement makes strumming open D# Major chords resonant and effortless.
- String 6 (D#2) to String 5 (A#2): A Perfect 5th (7 semitones).
- String 5 (A#2) to String 4 (D#3): An Augmented 4th or Tritone (6 semitones).
- String 4 (D#3) to String 3 (G3): A Major 3rd (4 semitones).
- String 3 (G3) to String 2 (A#4): A significant jump of 15 semitones, equivalent to a Minor 3rd plus an octave. This is an exceptionally wide interval and a key characteristic of this tuning.
- String 2 (A#4) to String 1 (D#5): A Perfect 4th (5 semitones).
Open Chords & Accessible Shapes:
The open D# Major provides a strong harmonic foundation for strumming. Simple one-finger barres across all fretted strings will instantly yield other major chords along the fretboard (e.g., barring at the 1st fret produces an E Major, the 2nd fret an F Major, and so on). The unique and wide intervals, particularly the dramatic leap between the 3rd and 2nd strings, offer exciting opportunities for unique chord voicings, arpeggiated patterns, and melodic interplay not typically found in standard tunings. Experimentation with partial chords and drone notes will unlock the full creative potential of this distinctive tuning.
How to Tune Your Guitar to Wilbur's D# Major Open Tuning
To achieve the D# A# D# G A# D# tuning from standard EADGBe (E2 A2 D3 G3 B3 E4), follow these precise instructions for each string as indicated:
- 6th String (Low E): Tune down 13 semitones to reach the target note D#2.
- 5th String (A): Tune down 11 semitones to reach the target note A#2.
- 4th String (D): Tune down 11 semitones to reach the target note D#3.
- 3rd String (G): Keep as is; no change (0 semitones) for the target note G3.
- 2nd String (B): Tune down 1 semitone to reach the target note A#4.
- 1st String (High E): Tune down 1 semitone to reach the target note D#5.
Important Tuning Advisory:
Please note the significant semitone adjustments required for this tuning. For strings necessitating tuning changes exceeding 4 semitones (either up or down), it is generally advised to consider using a different gauge string. This helps prevent potential string breakage, maintains appropriate string tension for playability, and safeguards your instrument from undue stress. Specifically for this tuning, the 6th, 5th, and 4th strings require substantial down-tuning by 13 and 11 semitones respectively, which may necessitate the use of heavier gauge strings to maintain proper tension and tone. Always tune carefully and gradually.
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Capos for D#A#D#GA#D#
Capo | Tuning | Name |
---|---|---|
0 | D#A#D#GA#D# | D# A# D# G A# D# |
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- -13
- -11
- -11
- 0
- -1
- -1