D#A#D#G#A#D# Guitar Tuner
D#A#D#G#A#D# | E♭B♭E♭A♭B♭E♭ D#/A#/D#/G#/A#/D# - Guitar tuning, chords & scales
Description of the Embracing Facts D#sus4 Tuning
This tuning, inspired by the "Into It. Over It. Embracing facts acoustic" aesthetic, offers a rich and resonant open D# suspended 4th chord. It creates a thoughtful, expansive sound that's perfect for acoustic fingerstyle, melodic strumming, or slide guitar, delivering a sense of longing and introspection. The uniform nature of the D# root and A# fifth across different octaves provides a powerful drone and harmonic foundation.
Technical Analysis
The tuning features the notes D#3 A#3 D#4 G#4 A#4 D#5 from low E to high E string. This arrangement forms an open D# suspended 4th chord (D# - A# - D# - G# - A# - D#). The presence of the G# (the perfect fourth) instead of a major or minor third (F## or F# respectively) gives this tuning its characteristic 'suspended' quality, creating a harmonious tension that yearns for resolution.
The root note, D#, is present on the 6th, 4th, and 1st strings, while the perfect fifth, A#, anchors the 5th and 2nd strings. This octaves-and-fifths structure provides immense natural resonance and sustain, making it ideal for creating full, layered soundscapes even with minimal effort. The balanced string movements (all within 1 semitone) mean that standard guitar strings will handle this tuning well without significant tension issues, allowing for comfortable playability.
Chord Voicings and Accessibility
The most immediate and powerful chord available is the open D#sus4. This makes it incredibly easy to achieve a full, complex sound with just open strumming. One of the greatest advantages of this open tuning is the ability to create a full suspended chord simply by barring any fret across all six strings. For example:
- Barring at the 1st fret yields an Esus4 chord.
- Barring at the 2nd fret yields an Fsus4 chord.
- And so on, up the fretboard, allowing for easy exploration of suspended chord progressions.
While its primary strength lies in suspended voicings, creative fingering can introduce other harmonies. For instance, fretting the 3rd string (G#) at the 1st fret results in an 'A' note, which could be used in various musical contexts, though transforming the entire tuning into a standard major or minor chord form would require more complex fingerings or additional string manipulation.
Given the gentle changes in string tension, this tuning is generally safe for standard gauge strings. However, as a general rule, for tunings requiring movements of more than four semitones up or down, considering a different string gauge is advisable to optimize playability and string longevity. This particular tuning falls well within safe limits.
Experiment with this tuning to unlock a world of rich, resonant, and emotionally charged sounds.
How to Tune to Embracing Facts D#sus4
To achieve the Embracing Facts D#sus4 tuning, follow these specific adjustments from standard EADGBe tuning. Please tune each string carefully to its designated note.
String 6 (Low E) to D#3: Tune down 1 semitones.
String 5 (A) to A#3: Tune up 1 semitones.
String 4 (D) to D#4: Tune up 1 semitones.
String 3 (G) to G#4: Tune up 1 semitones.
String 2 (B) to A#4: Tune down 1 semitones.
String 1 (High E) to D#5: Tune down 1 semitones.
Always use a reliable tuner for accuracy and remember to stretch new strings before fine-tuning.
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Capos for D#A#D#G#A#D#
Capo | Tuning | Name |
---|---|---|
-10 | FCFA#CF | Low Baritone DADGAD Equivalent |
-8 | GDGCDG | G Celtic |
-7 | G#D#G#C#D#G# | G# DADGAD |
-6 | AEADEA | Baritone DADGAD |
-5 | A#FA#D#FA# | DADGAD But In Bb/A# |
-4 | BF#BEF#B | DADGAD (minor Third Down) |
-3 | CGCFGC | F Sus2 |
-2 | C#G#C#F#G#C# | DADGAD - One Half Step Down |
-1 | DADGAD | Modal D |
0 | D#A#D#G#A#D# | D#/A#/D#/G#/A#/D# |
1 | EBEABE | Modal Esus4 |
2 | FCFA#CF | DADGAD Capo 3 |
3 | F#C#F#BC#F# | DADGAD Capo 4 |
4 | GDGCDG | DADGAD Guitalele |
More D#A#D#G#A#D# Resources
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- -1
- 1
- 1
- 1
- -1
- -1