D#D#D#D#D#D# Guitar Tuner
D#D#D#D#D#D# | E♭E♭E♭E♭E♭E♭ D#D#D#D#D#D# - Guitar tuning, chords & scales
The "Unison D# Tuning" is an exceptionally unique and highly experimental setup for the guitar. As its name suggests, every string is tuned to a D# note, spanning two different octaves. This creates an incredibly thick, resonant, and almost industrial sound texture when strummed openly. It's a tuning that completely redefines the guitar's sonic capabilities, moving far beyond conventional melodic or harmonic structures towards a wall-of-sound effect. Players exploring this tuning should be prepared for a distinct and potentially challenging playing experience, focusing on percussive qualities, drones, or experimental soundscapes rather than traditional chord progressions.
Technical Analysis
This tuning transforms the guitar into an instrument dedicated to the note D#. The open strings are configured as follows:
- String 6 (Low E): D3#
- String 5 (A): D3#
- String 4 (D): D3#
- String 3 (G): D4#
- String 2 (B): D4#
- String 1 (High E): D4#
The intervals between adjacent strings are:
- String 6 to String 5: Unison (0 semitones)
- String 5 to String 4: Unison (0 semitones)
- String 4 to String 3: Octave up (12 semitones)
- String 3 to String 2: Unison (0 semitones)
- String 2 to String 1: Unison (0 semitones)
This creates a powerful D# major triad voiced entirely with D# notes across two octaves (D3# and D4#). It's essentially a massive power chord where the root is tripled and then again tripled an octave higher, resulting in an exceptionally dense and focused sonic attack.
Chords and Playability
Given that all open strings are D# notes, the fundamental "open chord" of this tuning is a colossal D# unison. Any strum across all open strings will produce a rich, harmonically complex D# sound. Traditional chord shapes become largely irrelevant; instead, the tuning lends itself to:
- Drones and Riffs: The inherent resonance makes it perfect for sustained drones or powerful, single-note riffs that benefit from the doubled and tripled octaves.
- Barre Chords: Simple barre chords across any fret will instantly create a new unison chord. For example, barring all strings at the 1st fret will produce an E unison chord, at the 2nd fret an F unison chord, and so on. This simplifies chord changes to lateral movements along the fretboard.
- Harmonics: The unison nature could make for interesting harmonic textures, especially when exploring natural and artificial harmonics across the same note.
- Experimental Techniques: This tuning is ripe for experimental techniques like prepared guitar, slide playing, or using EBow for endless sustain, leveraging the immense resonance of the D# notes.
It's important to note that the lack of distinct intervals between strings (aside from the octave jump) means traditional melodies or arpeggios will sound very different, often resulting in a thicker, less defined melodic line unless played on single strings.
How to Tune
To achieve the "Unison D# Tuning" from an assumed standard tuning, follow these string adjustments carefully:
- String 6 (Low E): Tune this string down 1 semitone. The target note for this string is D3#.
- String 5 (A): Tune this string down 6 semitones. The target note for this string is D3#. This is a significant drop, approaching a new string gauge recommendation.
- String 4 (D): Tune this string down 11 semitones. The target note for this string is D3#. This is an extreme drop, *strongly* recommending a much heavier gauge string to avoid breakage and ensure proper tension.
- String 3 (G): Tune this string down 4 semitones. The target note for this string is D4#. This is a considerable drop, where a different string gauge should be considered.
- String 2 (B): Tune this string down 8 semitones. The target note for this string is D4#. This is a very substantial drop, making a different string gauge highly advisable.
- String 1 (High E): Tune this string down 13 semitones. The target note for this string is D4#. This is an extreme drop, *strongly* recommending a much heavier gauge string to avoid breakage and ensure proper tension.
Important Considerations: Please note that these specific tuning adjustments are derived directly from the provided tuning data. Several strings require tuning down by 4 or more semitones. Tuning down to this extent on standard gauge strings can result in extremely low tension, making the strings feel floppy, difficult to intonate, and prone to buzzing. For optimal playability and to prevent potential damage to your guitar's neck or bridge from drastically altered tension, it is highly recommended to use a significantly heavier gauge string set designed for low tunings, especially for strings 1, 2, 4, and 5.
The open notes for the "Unison D# Tuning" are as follows:
- String 6: D3#
- String 5: D3#
- String 4: D3#
- String 3: D4#
- String 2: D4#
- String 1: D4#
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Capos for D#D#D#D#D#D#
Capo | Tuning | Name |
---|---|---|
0 | D#D#D#D#D#D# | D#D#D#D#D#D# |
1 | EEEEEE | EEEEEE |
8 | BBBBBB | Drone B |
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- -1
- -6
- -11
- -4
- -8
- -13