D#G#BF#BD# Guitar Tuner
D#G#BF#BD# | E♭A♭BG♭BE♭ Open Gile - Guitar tuning, chords & scales
"Open Gile" Guitar Tuning Analysis
As the tuning description boldly states, "Real rock n roll for a guitar. Made by the gods, for the gods." The Open Gile tuning truly lives up to its hype, offering a rich, resonant, and powerful sound that can lay the foundation for some epic rock anthems and bluesy riffs. This tuning, with its lowered intervals and unique structure, invites a heavy, driving feel, perfect for styles demanding both depth and melodic clarity.
Technical Analysis: The B Major 6 Powerhouse
The Open Gile tuning transforms your guitar into an open B Major 6 chord. The open strings are tuned to D#3, G#3, B2, F#4, B3, D#5 (from low E to high E string). When these notes are arranged, they reveal the core components of a B Major 6 chord: B (root), D# (major third), F# (perfect fifth), and G# (major sixth).
- B (Root): Found on String 4 (B2) and String 2 (B3).
- D# (Major Third): Found on String 6 (D#3) and String 1 (D#5).
- F# (Perfect Fifth): Found on String 3 (F#4).
- G# (Major Sixth): Found on String 5 (G#3).
This rich voicing means that simply strumming all open strings produces a full, harmonically complete B Major 6 chord. This is incredibly versatile for songwriting, allowing for immediate major key harmonization. The doubled B and D# notes across octaves provide a powerful, ringing quality, while the presence of the major sixth (G#) adds a sophisticated, slightly nostalgic or jazzy flavor to the otherwise robust rock foundation.
Playing Potential and Chordal Reach
With a B Major 6 as your open chord, creating music becomes intuitive.
- Open Chord Exploration: You can effortlessly slide a single finger across a fret to create other Major 6 chords. For instance, fretting all strings at the 1st fret would give you a C Major 6, the 2nd fret a C# Major 6, and so on. This makes barre chords incredibly simple and powerful.
- Power Chords: The interval relationships between the lower strings (D#-G#-B or B-F#-D#) are conducive to easily forming power chords (root-fifth) or even minor chords with minimal effort, especially if you focus on the lower three or four strings. The open D# and B on strings 6 and 4 are particularly strong.
- Melodic Leads: The unique intervals also open up new melodic possibilities. Scales played over this tuning will sound fresh and unexpected, pushing players beyond standard patterns.
- Resonance and Sustain: The generally lowered tuning, particularly on the D string going down to B, provides a looser string tension, potentially leading to increased sustain and a fatter tone.
This tuning is a fantastic choice for those looking to inject a fresh, harmonically rich, and powerful sound into their rock, blues, or even experimental music.
How to Tune: Open Gile
This section guides you through adjusting your guitar from standard E-A-D-G-B-E tuning to the Open Gile tuning. Please be mindful of string tension when making significant changes.
- String 6 (Low E): Tune down 1 semitone from E to D3#.
- String 5 (A): Tune down 1 semitone from A to G3#.
- String 4 (D): Tune down 3 semitones from D to B2. (Note: Tuning down 3 semitones is a moderate change. While generally safe, if you tune up or down by more than 4 semitones, a different gauge string is often advised to maintain optimal tension and tone. In this case, tuning down 3 semitones is acceptable but be aware of the tension change.)
- String 3 (G): Tune down 1 semitone from G to F4#.
- String 2 (B): Keep as is; no change (0 semitones) from B to B3.
- String 1 (High E): Tune down 1 semitone from E to D5#.
Always double-check your tuning after all adjustments are made, as changing one string can slightly affect the tension of others.
String 6 (Low E): D3#
String 5 (A): G3#
String 4 (D): B2
String 3 (G): F4#
String 2 (B): B3
String 1 (High E): D5#
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Capos for D#G#BF#BD#
Capo | Tuning | Name |
---|---|---|
-2 | C#F#AEAC# | A6 |
-1 | DGA#FA#D | K |
0 | D#G#BF#BD# | Open Gile |
1 | EACGCE | Open C |
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- -1
- -1
- -3
- -1
- 0
- -1