"Harsh Resonance D#" Tuning Analysis

The "BEING HARSH" tuning for Guitar, notably used by A.G. Cook, is a distinctive and experimental configuration that ventures far beyond conventional open tunings. As its name implies, it delivers a unique and somewhat dissonant sonic landscape, rich with tension and unexpected harmonic relationships.

Verbal Analysis

This tuning transforms the standard Guitar setup into a low and expansive sound, anchored by multiple D# notes across the fretboard. From the lowest to highest string, the open notes are D#3 G#3 D#4 G3 A#4 D#5. The initial impression is one of depth and resonance, with a strong emphasis on the root D# and its perfect fifth (A#). However, the inclusion of the G natural on the 3rd string is the tuning's most defining and "harsh" characteristic. This note creates a distinct minor third interval against the low D# and a diminished third against the G# above it, producing a captivating tension that avoids typical consonant resolutions. This isn't a tuning designed for easy strumming of major or minor chords; rather, it encourages exploration of its unique intervallic relationships, leading to rich, complex textures, arpeggiated figures, and sustained drones that can evoke a sense of unease or profound beauty. It’s perfect for avant-garde pop, experimental electronic music, or any genre where sonic exploration is paramount.

Technical Analysis

The open string configuration is D#3 G#3 D#4 G3 A#4 D#5.

• String 6 (Lowest String, normally Low E becomes D#3): The fundamental root note, providing a deep, resonant base.
• String 5 (normally A becomes G#3): A perfect fourth above the root D#, it establishes a strong, suspended quality.
• String 4 (normally D becomes D#4): An octave above the lowest D#, reinforcing the root and adding brilliance.
• String 3 (normally G remains G3): This is the crucial, dissonant element. It creates a minor third interval with the low D#, but sits an augmented second (or minor third) from the D# an octave above, and a diminished third from the G# below it. This note is key to the tuning's unique harmonic flavor.
• String 2 (normally B becomes A#4): A perfect fifth above the root D#, providing harmonic stability and brightness.
• String 1 (Highest String, normally High e becomes D#5): Another octave of the root, completing the full sonic spread.

When strummed open, this tuning presents a complex harmony. The notes D#-G#-D#-A#-D# suggest a D#sus4 chord with added octaves. However, the G natural on the 3rd string clashes directly with the G# on the 5th string and creates a minor third against the root D#, making a simple chord designation difficult. This specific voicing lends itself to avant-garde harmonies and melodic lines that leverage the tension of the G natural. Chords can be explored by barring across frets; for example, barring at the 1st fret would yield E A E G# B E, still presenting unique intervallic relationships rather than standard chord forms. This tuning excels in creating rich, sustained drones or arpeggiated passages where the interplay of its unique intervals can be fully appreciated.

How to Tune to "Harsh Resonance D#"

To achieve the "Harsh Resonance D#" tuning, follow these precise adjustments. It is recommended to use a reliable digital tuner to ensure accuracy for each string.

• String 6 (Lowest String): Tune down 1 semitone. The target note for this string is D#3.
• String 5: Tune down 1 semitone. The target note for this string is G#3.
• String 4: Tune up 1 semitone. The target note for this string is D#4.
• String 3: Keep as is; no change (0 semitones). The target note for this string is G3.
• String 2: Tune down 1 semitone. The target note for this string is A#4.
• String 1 (Highest String): Tune down 1 semitone. The target note for this string is D#5.

Important Tuning Considerations:

The semitone adjustments required for this tuning are relatively minor (mostly 1 semitone up or down), which keeps string tension generally within a safe operating range. However, for any tuning, particularly those involving more significant shifts (exceeding 4 semitones up or down), it is crucial to monitor your guitar's neck relief and string tension carefully. For such drastic changes, a different string gauge might be advisable to prevent potential damage and maintain optimal playability. Always ensure your guitar is properly set up for the string tension changes a new tuning might introduce.