D#G#D#G#BD# Guitar Tuner
D#G#D#G#BD# | E♭A♭E♭A♭BE♭ Open G# - Guitar tuning, chords & scales
Tuning Analysis: Open G# Minor
This guitar tuning, labeled as "Open G#" in the provided information, technically functions as an Open G# Minor configuration. It is explicitly described as being ideal for "Playing single-string melodies with open supports," suggesting a strong emphasis on drone notes and melodic exploration over a consistent harmonic backdrop. When strummed open, this tuning delivers a rich and resonant G# minor chord. This provides a distinctively dark, melancholic, or bluesy foundation, making it well-suited for genres like blues, folk, rock, or any style where a resonant minor tonality is desired for open string play.
Technical Breakdown:
- Instrument Type: Guitar
- Open Chord: G# Minor (G#, B, D#)
-
Notes (from thickest to thinnest string): D#3, G#3, D#4, G#4, B3, D#5.
Analyzing these notes against the G# minor chord (G#, B, D#), we can identify their harmonic function:
- 6th String (D#3): Perfect 5th of G#
- 5th String (G#3): Root of G#
- 4th String (D#4): Perfect 5th of G#
- 3rd String (G#4): Root of G#
- 2nd String (B3): Minor 3rd of G#
- 1st String (D#5): Perfect 5th of G#
The inherent structure of roots and fifths, coupled with the minor third, makes this an excellent tuning for slide guitar, as barring across any fret will naturally produce minor chords up and down the neck. Power chords are incredibly simple to form by just barring across the lower strings (or even across all strings). While providing a distinct minor feel, the tuning also offers flexibility; by fretting the 2nd string (B) up one semitone to a C, you could easily transform the open chord into a G# Major sound. Other voicings like G#sus2 (A# on 2nd string) or G#sus4 (C# on 2nd string) are also readily accessible with minimal finger movement. This tuning provides a robust and moody sonic landscape for various musical applications.
How to Tune:
To achieve this Open G# Minor tuning, follow these precise adjustments for each string:
- 6th String: Tune to D3#, tuning down 1 semitone.
- 5th String: Tune to G3#, tuning down 1 semitone.
- 4th String: Tune to D4#, tuning up 1 semitone.
- 3rd String: Tune to G4#, tuning up 1 semitone.
- 2nd String: Tune to B3, keeping as is; no change (0 semitones).
- 1st String: Tune to D5#, tuning down 1 semitone.
All string movements for this tuning are within a very small range (only 1 semitone up or down). Therefore, a change in string gauge is not advised for this tuning, and standard string sets should perform well.
Open String Notes:
The notes for the Open G# Minor tuning, from the thickest (6th) string to the thinnest (1st) string, are:
- 6th String: D3#
- 5th String: G3#
- 4th String: D4#
- 3rd String: G4#
- 2nd String: B3
- 1st String: D5#
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Capos for D#G#D#G#BD#
| Capo | Tuning | Name |
|---|---|---|
| -6 | ADADFA | A Minor Open |
| -4 | BEBEGB | Open E Minor |
| -3 | CFCFG#C | Cfcfg#c |
| -2 | C#F#C#F#AC# | Kakegurui - Deal With The Devil (arr. By Eddie Van Der Meer) |
| -1 | DGDGA#D | Open G Minor |
| 0 | D#G#D#G#BD# | Open G# |
| 1 | EAEACE | Open A Minor |
| 4 | GCGCD#G | EAEACE Capo 3rd |
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- -1
- -1
- 1
- 1
- 0
- -1
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