EADADA Guitar Tuner
EADADA Citole - Guitar tuning, chords & scales
This unique tuning, which we've named EADADA Medieval Guitar Tuning, draws its inspiration from the historic Citole, a medieval precursor to the modern guitar. Adapted for a six-string guitar, it offers a distinct sound palette that evokes the rich harmonic textures of historical music, while also providing versatile opportunities for contemporary folk, drone, and experimental genres.
Verbal Analysis: The Sound and Feel
The EADADA tuning creates an incredibly resonant, open, and drone-like sound. With a strong emphasis on A and D notes across the higher strings, it naturally lends itself to sustained sonic tapestries and melodic lines that sing with clarity. The lowest E string provides a firm, anchoring bass, giving the tuning a robust foundation despite its ancient origins. Players will find a natural 'ring' to the open strings, making it ideal for fingerstyle, strumming, or slide playing where sustain and harmonic richness are desired. The inherent intervals foster a mood that is both ancient and deeply moving, making it perfect for recreating historical soundscapes or inspiring new compositions with a medieval flair.
Technical Analysis: Structure and Chordal Possibilities
- Open String Notes: The open strings are tuned to E2, A2, D3, A3, D4, A4.
- Intervals: Examining the intervals between strings reveals a structure rich in perfect fourths and fifths:
- E2 to A2: Perfect Fourth (P4)
- A2 to D3: Perfect Fourth (P4)
- D3 to A3: Perfect Fifth (P5)
- A3 to D4: Perfect Fourth (P4)
- D4 to A4: Perfect Fifth (P5)
- Open String Chord: The open strings collectively form a rich A suspended 2nd and 4th chord (A, D, E) with an E in the bass (E-A-D-A-D-A). This complex voicing offers a full, almost orchestral, sound when strummed open, providing a strong harmonic foundation without fretting any notes.
- Chordal Reach: Due to the repeated A and D notes, power chords on A and D are exceptionally easy to form, often with a single finger barring across multiple strings. The tuning also invites exploration of unique voicings for major and minor chords, moving beyond standard chord shapes and encouraging discovery. Its drone-friendly nature makes it excellent for modal playing and creating sustained soundscapes, where individual notes can ring out against a continuous harmonic backdrop.
How to Tune Your Guitar to EADADA Medieval Guitar Tuning
To achieve the EADADA tuning from standard E-A-D-G-B-E, follow these precise string movements. Please exercise caution, especially when increasing string tension significantly. For movements exceeding 4 semitones up or down, considering a different string gauge is highly recommended to prevent string breakage or damage to your instrument.
- String 6 (Low E): Keep as is; no change (0 semitones). Target Note: E2.
- String 5 (A): Keep as is; no change (0 semitones). Target Note: A2.
- String 4 (D): Keep as is; no change (0 semitones). Target Note: D3.
- String 3 (G): Tune up 2 semitones. Target Note: A3.
- String 2 (B): Tune up 3 semitones. Target Note: D4.
- String 1 (High E): Tune up 5 semitones. Target Note: A4. Caution: Tuning up 5 semitones significantly increases string tension. It is strongly advised to consider using a lighter gauge string for your high E string to tune up to A, ensuring safety, optimal playability, and preventing potential string breakage or neck damage.
String 6 (Low E): E2 - The foundational bass note for anchoring harmonies. String 5 (A): A2 - Provides a strong root for A-based harmonies and drones. String 4 (D): D3 - A common note, connecting to D-based harmonies and offering melodic possibilities. String 3 (A): A3 - Reinforces the A drone and enhances the tuning's resonant character. String 2 (D): D4 - Adds brightness and further strengthens D-based voicings and melodic runs. String 1 (High A): A4 - The highest note, offering sparkling melodies and top voicings for chords.
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Capos for EADADA
Capo | Tuning | Name |
---|---|---|
0 | EADADA | Citole |
More EADADA Resources
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- 0
- 0
- 0
- 2
- 3
- 5