EADEAD Guitar Tuner
EADEAD Dsus2 Regular - Guitar tuning, chords & scales
Verbal Analysis
Welcome to the Echoed Dsus2 Tuning, a captivating setup that transforms your guitar into a harmonically rich and resonant instrument. With open strings tuned to E-A-D-E-A-D, this tuning creates a lush, almost 12-string-like quality due to the deliberate octave doubling of notes. It's built around the ethereal sound of a Dsus2 chord (D, E, A), offering a wide, open sonic landscape perfect for ambient textures, introspective folk, or any style requiring a shimmering, sustained drone. The repeated E-A-D motif across the fretboard provides an intuitive and powerful foundation for both intricate fingerpicking and broad, open-string strumming, allowing for effortless creation of expansive soundscapes.
Technical Analysis
This tuning implements a unique parallel structure. The three lowest strings are tuned to E2-A2-D3. Intriguingly, the three highest strings (E3-A3-D4) are precisely an octave higher than their lower counterparts, creating a perfect mirrored arrangement. This structure results in a sequence of two perfect fourths (E-A, A-D) that is then perfectly replicated an octave above. While the open strings themselves (E-A-D-E-A-D) form an extended harmony that could be interpreted as an E minor 7th with a suspended 4th (or Esus4 with an added D), the core notes present – D, E, and A – are indeed the constituents of a Dsus2 chord.
Open Chords and Playable Shapes:
- Open Dsus2: The notes D, E, and A are all readily available as open strings. Playing from the 4th string down (D-E-A-D) immediately provides a full Dsus2 chord with an octave root, offering a beautiful, ringing quality. By fretting the 5th string at the 5th fret (D) and the 6th string at the 5th fret (A), you can achieve a fuller Dsus2 chord structure with multiple octave doublings.
- Mirrored Voicings: Due to the exact octave repetition (EAD/EAD), any chord shape or melodic pattern played on the lower three strings (6, 5, 4) will have an immediate, octave-doubled counterpart on the upper three strings (3, 2, 1) by shifting fingers one string over, creating powerful and rich voicings with minimal effort.
- Drone Potential: The consistent perfect fourth intervals (E-A and A-D) provide excellent drone possibilities. Holding these open strings while fretting on other strings can create atmospheric and modal sounds, particularly suitable for melodic playing over sustained bass notes.
- Fretboard Familiarity: Players familiar with Drop D or other open tunings will find the consistent interval relationships (perfect fourths) across the instrument intuitive for lead lines and chord progressions, especially for patterns that involve moving across string sets.
Current Tuning Notes:
- String 6 (Low E): E2
- String 5 (A): A2
- String 4 (D): D3
- String 3 (G): E3
- String 2 (B): A3
- String 1 (High E): D4
How to Tune Your Guitar to Echoed Dsus2:
To achieve the Echoed Dsus2 Tuning, you will be starting from standard EADGBe tuning and adjusting the following strings:
- String 6 (Low E): Keep as is; no change (0 semitones). Your string should remain at E2.
- String 5 (A): Keep as is; no change (0 semitones). Your string should remain at A2.
- String 4 (D): Keep as is; no change (0 semitones). Your string should remain at D3.
- String 3 (G): Tune down 3 semitones from its standard G3 to E3. (Note: Tuning down 3 semitones is generally safe for standard gauge strings. For larger drops or sustained use, consider checking string tension.)
- String 2 (B): Tune down 2 semitones from its standard B3 to A3. (Note: This is a moderate drop, well within the limits for most string gauges.)
- String 1 (High E): Tune down 2 semitones from its standard E4 to D4. (Note: This is a moderate drop, well within the limits for most string gauges.)
General String Gauge Advice: While all the required tunings are within reasonable limits for standard gauge strings (i.e., less than 4 semitones up or down), generally, for tunings that involve dropping or raising strings by 4 or more semitones, it's advisable to consider using different string gauges to maintain optimal tension and playability. For this particular tuning, your standard set should perform well.
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Capos for EADEAD
| Capo | Tuning | Name |
|---|---|---|
| -2 | DGCDGC | Csus2 |
| 0 | EADEAD | Dsus2 Regular |
| 1 | FA#D#FA#D# | 3*(5\12) |
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- 0
- 0
- 0
- -3
- -2
- -2
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