EADG#BE Guitar Tuner
EADG#BE | EADA♭BE Raised G - Guitar tuning, chords & scales
The tuning named 'Raised G' presents a compelling departure from standard guitar tuning, offering a unique sonic palette. While its name might suggest a simple alteration, this tuning incorporates a significant shift in the lower register, making it distinct and versatile for various musical explorations.
Technical Analysis
This tuning results in the following open string notes: E2 A2 D3 G#3 B2 E4. Compared to standard E-A-D-G-B-E tuning, the primary modifications are:
- The 3rd string, typically G3 in standard tuning, is raised one semitone to G#3. (Note: The provided tuning notes indicated G4#, implying an octave higher, but the tuning movement of +1 semitone from standard G3 suggests G#3.)
- The 2nd string, normally B3, is significantly lowered a full octave (12 semitones) to B2. This creates an exceptionally deep, resonant note that profoundly alters the guitar's tonal range and harmonic possibilities.
- The 6th, 5th, 4th, and 1st strings (E2, A2, D3, E4 respectively) remain in their standard positions.
Verbal Analysis & Musical Potential
The 'Raised G' tuning immediately introduces a unique sonic character. The juxtaposition of the deep, growling B2 with the brighter G#3 creates an interesting harmonic tension. While the open strings (E-A-D-G#-B-E) do not form a simple, immediately recognizable major or minor chord, they contain the notes E, G#, and B, which form an E Major triad. The D string adds a minor seventh, and the A string a perfect fourth, suggesting an open E7sus4-like quality. This makes it particularly ripe for blues, jazz, or experimental music styles where complex voicings and dissonances are embraced.
The dramatically lowered B2 string is a standout feature, providing immense depth and a rich, resonant low end. It's particularly effective for drone-based music, heavy riffs, or for creating open string bass lines that add a unique texture to chords. Its unusual placement, an octave below standard, and close to the other bass strings (E2, A2, D3), can lead to exceptionally thick and full power chords or intricate arpeggios when played with the lower strings. The raised G#3 string, being a major third relative to the D string (D-G#), facilitates bright, major-sounding melodic phrases and arpeggios when interacting with the D string. This tuning might prove inspiring for fingerstyle players seeking novel voicings, or for slide guitarists exploring new harmonic territories.
How to Tune Your Guitar
To achieve the 'Raised G' tuning, follow these precise string adjustments from standard E-A-D-G-B-E tuning. Please note that large semitone changes, especially significant drops like tuning down a full octave, may require a different string gauge to maintain optimal tension and tone, and to prevent string damage or breakage.
- 6th String (Low E): Keep as is; no change (0 semitones). Target Note: E2.
- 5th String (A): Keep as is; no change (0 semitones). Target Note: A2.
- 4th String (D): Keep as is; no change (0 semitones). Target Note: D3.
- 3rd String (G): Tune up 1 semitone. Start from standard G3 and tune up to G#3. (While the initial tuning notes listed G4#, the specified movement indicates G#3).
- 2nd String (B): Tune down 12 semitones. Start from standard B3 and tune down a full octave to B2. This is a very significant drop. For optimal playability, intonation, and to prevent the string from being too slack, it is highly advisable to use a heavier gauge string for this position.
- 1st String (High E): Keep as is; no change (0 semitones). Target Note: E4.
6th String (E2): Tuned to E2, matching the standard low E string.
5th String (A2): Tuned to A2, matching the standard A string.
4th String (D3): Tuned to D3, matching the standard D string.
3rd String (G#3): Tuned to G#3. This note is one semitone higher than the standard G3. (Note: The provided JSON listed G4# for this string, but the indicated movement of +1 semitone from standard G suggests G#3).
2nd String (B2): Tuned to B2. This is a significant change, being a full octave lower than the standard B3, creating a much deeper resonance.
1st String (E4): Tuned to E4, matching the standard high E string.
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Capos for EADG#BE
Capo | Tuning | Name |
---|---|---|
0 | EADG#BE | Raised G |
More EADG#BE Resources
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Songs tuned to EADG#BE
Artist | Song | Album | Tab |
---|---|---|---|
The Marshall Tucker Band | Searchin' For A Rainbow | Silverado, Live 1980 | |
Stef Lynn | Into The Unknown |
Please use the below form to submit a song for EADG#BE that is not already on gtdb.org.
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- 0
- 0
- 0
- 1
- -12
- 0