EAEABEA Guitar Tuner
EAEABEA Asus2 Over E - Guitar tuning, chords & scales
Verbal Analysis:
This is a deeply resonant 7-string tuning, aptly named "Asus2 over E," which immediately suggests its fundamental harmonic structure. The tuning's progression, described from DADGAD to DADEAD, then to AEABEA, and finally incorporating a low E 7th string, indicates an evolution towards a very open and suspended soundscape with a prominent, grounding low E. The abundance of E and A notes across the strings creates a powerful, droning foundation. This makes the tuning exceptionally well-suited for genres requiring heavy, atmospheric textures, modern alternative sounds, or even progressive and experimental compositions where rich, sustained chords and open voicings are key.
Technical Analysis:
The open string notes are E1 A1 E2 A2 B2 E3 A3 (from the lowest 7th string to the highest 1st string). Let's break down the intervals relative to the lowest E1:
- E1 (Root)
- A1 (Perfect 4th from E)
- E2 (Octave from E1)
- A2 (Octave from A1, or Perfect 4th from E2)
- B2 (Perfect 5th from E2)
- E3 (Octave from E2)
- A3 (Octave from A2, or Perfect 4th from E3)
Chords and Playability:
- Open Chords: The open strings themselves form a magnificent
Asus2/EorE5(sus4)chord, providing an immediate, rich, and droning sound. This allows for powerful atmospheric passages without any fretting. - Barre Chords: Due to the consistent pattern of mostly fourths and octaves (E-A-E-A), barring all strings at any fret will yield a resonant
5th chord(power chord) or a similar suspended voicing, making it very easy to create heavy, sustained harmonic backdrops. - Extended Voicings: The unique grouping of notes allows for incredibly rich two-finger or three-finger chords. For instance, fretting just a couple of strings while leaving others open can create complex harmonies. The repeated E-A intervals across strings 7, 6, 5, and 4 make wide, droning power chords effortless.
- Melodic Potential: The top three strings (B-E-A) offer a clear and bright range for melodic lines, which can be beautifully contrasted against the deep, resonant drone of the lower E and A strings. This tuning encourages creative exploration of modes and sustained textures.
- Drone-Focused Playing: The pervasive E and A notes throughout the tuning are ideal for drone-based compositions, where single notes or simple melodic figures can be played over a sustained, harmonically rich background.
How to Tune:
To achieve the 'Asus2 over E' tuning, please follow these instructions for each string. These movements describe tuning from a higher reference pitch to the target note.
- String 7 (Lowest String): Tune down 7 semitones to reach the note E1.
- String 6: Tune down 7 semitones to reach the note A1.
- String 5: Tune down 5 semitones to reach the note E2.
- String 4: Tune down 5 semitones to reach the note A2.
- String 3: Tune down 8 semitones to reach the note B2.
- String 2: Tune down 7 semitones to reach the note E3.
- String 1 (Highest String): Tune down 7 semitones to reach the note A3.
Important Note on String Gauge: All tuning movements in this setup involve tuning down by more than 4 semitones. For optimal performance, intonation, and to prevent string breakage, it is highly recommended to use a different, likely heavier, string gauge specifically designed for such significant downtuning.
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Capos for EAEABEA
| Capo | Tuning | Name |
|---|---|---|
| 0 | EAEABEA | Asus2 Over E |
| 6 | A#D#A#D#FA#D# | Bb 7 String Tuning |
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Tuning Map
- Fret
- S7
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- A#
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- B
- E
- A
- D
- G
- B
- E
- -11
- C
- F
- A#
- D#
- G#
- C
- F
- -10
- C#
- F#
- B
- E
- A
- C#
- F#
- -9
- D
- G
- C
- F
- A#
- D
- G
- -8
- D#
- G#
- C#
- F#
- B
- D#
- G#
- -7
- E
- A
- D
- G
- C
- E
- A
- -6
- F
- A#
- D#
- G#
- C#
- F
- A#
- -5
- F#
- B
- E
- A
- D
- F#
- B
- -4
- G
- C
- F
- A#
- D#
- G
- C
- -3
- G#
- C#
- F#
- B
- E
- G#
- C#
- -2
- A
- D
- G
- C
- F
- A
- D
- -1
- A#
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- B
- E
- A
- D
- G
- B
- E
- 1
- C
- F
- A#
- D#
- G#
- C
- F
- 2
- C#
- F#
- B
- E
- A
- C#
- F#
- 3
- D
- G
- C
- F
- A#
- D
- G
- 4
- D#
- G#
- C#
- F#
- B
- D#
- G#
- 5
- E
- A
- D
- G
- C
- E
- A
- 6
- F
- A#
- D#
- G#
- C#
- F
- A#
- 7
- F#
- B
- E
- A
- D
- F#
- B
- -7
- -7
- -5
- -5
- -8
- -7
- -7
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