EAEEAE Guitar Tuner
EAEEAE Easy Power Chord Tuning - Guitar tuning, chords & scales
Description - Easy Power Chord Tuning
Barre Power Cords
Scales and patterns are easy to remember. There are basically two positions: where the root has its fourth the next fret up, or where the root has its fifth the next fret up.
It's difficult to get lost on the neck as every fret only has two notes each.
Verbal Analysis
The "Easy Power Chord Tuning" lives up to its name, offering an incredibly straightforward and powerful sonic foundation. This tuning is designed for musicians who want to simplify their approach to rhythm guitar, making barre power chords effortless to execute across the entire fretboard. Its inherent simplicity means you'll spend less time searching for notes and more time creating driving riffs. With repeated notes across different octaves and unisons, it provides a thick, resonant sound perfect for rock, metal, punk, and drone music. The intuitive layout makes scales and patterns remarkably easy to remember, ensuring you rarely get lost on the neck. As noted in its description, there are essentially only two primary chord positions to learn, vastly simplifying fretboard navigation.
Technical Analysis
This tuning establishes an open voicing of E2 A2 E3 E3 A3 E4. Breaking it down, the open strings consist solely of the notes E and A across various octaves. This particular arrangement simplifies chord shapes dramatically:
- Strings 6, 4, 3, and 1 are all tuned to E (E2, E3, E3, E4 respectively), providing a strong foundational root.
- Strings 5 and 2 are both tuned to A (A2, A3 respectively), acting as the perfect fourth relative to E.
The result is a highly resonant power chord sound when strummed open. The structure is essentially Root (E) - Fourth (A) - Octave Root (E) - Unison Root (E) - Octave Fourth (A) - Octave Root (E). This unique design means that barring any single fret across all six strings will instantly produce a perfect 5th power chord (X5), where X is the note at that fret on the low E string. For example, barring at the 1st fret yields F5, at the 3rd fret yields G5, and so on. The description correctly points out that patterns involve either a root with its fourth on the next fret up, or a root with its fifth on the next fret up, simplifying scale and chord formation. Furthermore, the presence of only two unique notes (E and A) across the open strings ensures that at any given fret, there are only two distinct notes available. This dramatically simplifies soloing and scale exploration, as patterns become highly predictable and symmetrical, making it difficult to get lost on the neck.
Open Chords & Easy Shapes:
- Open E5 Power Chord: Strumming all open strings (E-A-E-E-A-E) produces a massive E5 power chord, rich with octaves and unisons, providing a full and powerful sound.
- Any X5 Power Chord: Simply barre all six strings at any fret to play a power chord with the root note at that fret on the low E string. For instance, barring at the 5th fret gives an A5 power chord (A-D-A-A-D-A, where D is the fourth of A).
- Root & Fourth Voicings: The consistent Root-Fourth interval across strings (e.g., E2-A2, E3-A3) makes it easy to create melodic and harmonic lines using these intervals with minimal finger movement.
How to Tune "Easy Power Chord Tuning" from Standard EADGBe
To achieve the "Easy Power Chord Tuning" from standard EADGBe, follow these precise string adjustments. Please exercise caution when tuning strings up, especially if the change is significant.
- 6th String (Low E): Keep as is; no change (0 semitones). The string remains E2.
- 5th String (A): Keep as is; no change (0 semitones). The string remains A2.
- 4th String (D): Tune up 2 semitones. Raise the note from D3 to E3.
- 3rd String (G): Tune down 3 semitones. Lower the note from G3 to E3.
- 2nd String (B): Tune down 2 semitones. Lower the note from B3 to A3.
- 1st String (High E): Keep as is; no change (0 semitones). The string remains E4.
Important Note on String Gauge: Generally, if you are tuning a string up or down by more than 4 semitones, it is advisable to consider using a different string gauge to ensure optimal tension and prevent string breakage or excessive slack. For this particular tuning, all individual string movements are within a safe range for standard guitar strings, with the largest adjustments being tuning down 3 semitones or up 2 semitones, so a change in string gauge is typically not necessary.
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- 0
- 0
- 2
- -3
- -2
- 0