EBBF#BD# Guitar Tuner
EBBF#BD# | EBBG♭BE♭ Porch Tuning - Guitar tuning, chords & scales
The Porch Tuning: A Unique Soundscape
The "Porch Tuning," as its creator notes, was born from an exploration to achieve an open B or E chord. This innovative tuning indeed leans into both, creating a rich harmonic landscape that feels both familiar and distinctly fresh.
Verbal Analysis: A Melodic Foundation
Strummed open, the Porch Tuning immediately presents a resonant and full sound. The repeated B notes across different octaves (strings 5, 4, and 2) create a strong, almost drone-like foundation for a B major chord. When combined with the high F# (string 3) and D# (string 1), you get a clear B Major triad (B-D#-F#). However, the lowest E string (string 6) remains at its standard pitch, adding a deep pedal tone. This means the open tuning can be perceived as a B major chord with an E bass, offering a versatile sound that can serve as a complex E chord (Emaj7(add9) without the G#) or a powerful B major voicing with a rich, low anchor. The higher register of the F# and D# notes ensures a bright, shimmering quality, perfect for open-string arpeggios or evocative chord voicings that ring out beautifully on a porch on a quiet evening. Chords built around B major shapes or E shapes will feel particularly natural and accessible.
Technical Analysis: Unveiling the Intervals
From low to high, the notes of the Porch Tuning are:
- 6th String: E2 (Low E)
- 5th String: B2 (Perfect 5th above E2)
- 4th String: B2 (Unison with the 5th string)
- 3rd String: F4# (An octave and a half above the E2, or a Major 3rd above D#4, or P5 to B)
- 2nd String: B3 (Octave above the 5th and 4th strings, Perfect 5th above E2)
- 1st String: D5# (Major 7th above E2, Major 3rd above B3)
The open strings collectively produce the notes E, B, F#, D#. This forms an E major 7th chord with an added 9th (Emaj7(add9)) but without the G# (third). Alternatively, it presents a clear B major triad (B-D#-F#) rooted on an E bass (Bmaj/E). The multiple B notes and their octave relationships create a deeply resonant and harmonically rich foundation.
How to Tune Your Guitar to Porch Tuning
To achieve a tuning similar to Porch Tuning, starting from standard EADGBe, adjust your strings as follows. Please proceed with care, especially when tuning strings up.
- 6th String (Low E): Keep as is; no change (0 semitones). Target note: E2.
- 5th String (A): Tune up 2 semitones to B2. (Note: Tuning up 2 semitones is a moderate adjustment. Always tune slowly and carefully.)
- 4th String (D): Tune down 3 semitones to B2. (Note: Tuning down 3 semitones is a noticeable drop in tension.)
- 3rd String (G): Tune down 1 semitone to F#3. (Note: The provided tuning notes in the JSON for this tuning specify F4#. To achieve that, you would need a different string gauge or to tune from a different starting point, as tuning G3 down one semitone results in F#3, an octave lower than F4#.)
- 2nd String (B): Keep as is; no change (0 semitones). Target note: B3.
- 1st String (High E): Tune down 1 semitone to D#4. (Note: The provided tuning notes in the JSON for this tuning specify D5#. To achieve that, you would need a different string gauge or to tune from a different starting point, as tuning E4 down one semitone results in D#4, an octave lower than D5#.)
Important Note on String Gauge: Adjustments of up to 4 semitones (either up or down) are generally safe for standard string gauges. The string movements for this tuning fall within this range. However, if attempting to achieve the exact notes (F4# and D5#) listed in the full tuning description for strings 3 and 1, a different string gauge would be advised due to the octave discrepancy from standard tuning adjustments. Always exercise caution and ensure your guitar's setup is checked if making significant or long-term changes to tuning.
6th String (Low E): E2
5th String: B2
4th String: B2
3rd String: F4#
2nd String: B3
1st String (High E): D5#
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- 0
- 2
- -3
- -1
- 0
- -1
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