EEBF#A#D# Guitar Tuner
EEBF#A#D# | EEBG♭B♭E♭ Rye Tuning - Guitar tuning, chords & scales
Verbal Analysis
The "Rye tuning" is crafted for the rich, atmospheric soundscapes synonymous with Midwest Emo and Shoegaze genres, as described by its creator. This tuning offers a unique blend of open resonance and subtle harmonic tension, allowing for expansive chords and dreamy textures. The predominant downward movement of most strings suggests a slacker feel, which can contribute to a warmer, thicker tone and facilitate wide vibrato and bending, characteristic of these styles.
Technical Analysis
The open strings are tuned to E2, E2, B2, F#4, A#4, D#5. Analyzing these notes from lowest to highest reveals a sophisticated harmonic structure. The lowest three strings (E2, E2, B2) form a powerful and stable E5 chord, providing a strong root and perfect fifth. The upper three strings (F#4, A#4, D#5) notably form an F# Major triad (F#-A#-D#).
When combined, the full open tuning presents an E root with an overlying F# Major chord. This arrangement can be interpreted as an E Major 7th (#11) arpeggio, specifically E, B, D# (Major 7th) with F# (Major 9th) and A# (Augmented 11th). The absence of an explicit G# (Major 3rd) or G natural (Minor 3rd) in the open strings renders the chord harmonically ambiguous, making it highly versatile for both major and minor contexts and lending itself to lush, sustained chords and melodic lines that drift between moods. The #11 (A#) imparts a distinct 'Lydian' quality, contributing to a bright yet ethereal feel, perfect for the described genres.
Chords become easily accessible due to this structure: power chords are straightforward on the lower strings, and the F# Major triad is readily available on the upper strings. Barre chords can easily extend this sonic palette, allowing players to move this rich harmonic voicing up and down the neck while maintaining the core intervals.
How to Tune
When preparing your guitar for the "Rye tuning," please follow these instructions carefully to achieve the correct pitch for each string:
- 6th String (Low E): Keep as is; no change (0 semitones).
- 5th String (A String): Tune down 5 semitones to E2. Note: Tuning down 5 semitones is a significant change; for optimal tension and tone, a heavier gauge string is advised for this string.
- 4th String (D String): Tune down 3 semitones to B2.
- 3rd String (G String): Tune down 1 semitones to F#4.
- 2nd String (B String): Tune down 1 semitones to A#4.
- 1st String (High E String): Tune down 1 semitones to D#5.
Here are the target notes for each string in "Rye tuning," from the lowest string to the highest:
- 6th String: E2
- 5th String: E2
- 4th String: B2
- 3rd String: F#4
- 2nd String: A#4
- 1st String: D#5
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Capos for EEBF#A#D#
| Capo | Tuning | Name |
|---|---|---|
| 0 | EEBF#A#D# | Rye Tuning |
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- 0
- -5
- -3
- -1
- -1
- -1
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