EEEEEEEEE Guitar Tuner
EEEEEEEEE E - Guitar tuning, chords & scales
Verbal Analysis: The E-Nigma Drone
Prepare for an immersive, deeply resonant sonic experience with The Grand E Monolith tuning. This nine-string setup is a testament to the power of a single note, E, stretched across multiple octaves. It creates an enormous, sustained drone that can feel both meditative and overwhelmingly powerful. Imagine the low rumble of an earthquake meeting the expansive soundscapes of ambient music, or the dense, foundational core of heavy, progressive rock. This tuning encourages a focus on texture and sustained sound, offering an incredibly rich and full sonic canvas for experimentation. If you're looking for an E string, you've found an entire orchestra of them! This tuning is a unique exploration of the note E, perfect for those who want to dive deep into its resonant qualities, perhaps even attempting a rendition of 'Rush E' with an unparalleled harmonic depth.
Technical Analysis: Monochromatic E Dominance
This tuning, designed for a 9-string guitar, is constructed entirely from the note E across four octaves. The open string notes are:
- E1 (Strings 9, 8, 7, 6 - the four lowest strings)
- E2 (Strings 5, 4)
- E3 (Strings 3, 2)
- E4 (String 1 - the highest string)
The arrangement of these notes creates a colossal open E chord, specifically, a pure E drone, devoid of any major or minor third, making it inherently versatile for different harmonic contexts simply by adding other notes. The intervals between adjacent strings are primarily unisons and octaves, reinforcing the monolithic E sound:
- String 9 to 8: Unison (E1 to E1)
- String 8 to 7: Unison (E1 to E1)
- String 7 to 6: Unison (E1 to E1)
- String 6 to 5: Octave (E1 to E2)
- String 5 to 4: Unison (E2 to E2)
- String 4 to 3: Octave (E2 to E3)
- String 3 to 2: Unison (E3 to E3)
- String 2 to 1: Octave (E3 to E4)
This makes for an extremely fundamental and powerful sonic base.
Open Chords & Reachable Shapes:
The beauty of The Grand E Monolith is its simplicity. Strumming all open strings yields an immense, harmonically rich E note across various octaves – effectively a powerful open E drone. Any simple one-finger barre across all or a selection of strings will immediately transpose this drone to another root note. For example, barring at the 1st fret creates an F drone (F1-F1-F1-F1-F2-F2-F3-F3-F4), at the 2nd fret an F# drone, and so on. This makes playing moving drone chords or root-note melodies incredibly intuitive.
While complex chord voicings might require careful finger placement due to the numerous unisons and octaves, this tuning excels at providing a deep, unwavering foundation. Power chords (E5, F5, G5, etc.) become incredibly easy to execute and sound exceptionally full. It's a tuning that encourages powerful, sustained riffs and ambient soundscapes rather than intricate arpeggios or jazz chords, making it a unique tool for specific musical expressions where the dominant E provides a compelling sonic anchor.
How to Tune: The Grand E Monolith
Achieving The Grand E Monolith tuning involves significant adjustments for several strings. Please pay close attention to the semitone movements, as some require extreme tension changes. When string movements exceed a negative 4 or positive 4 semitones, it's generally recommended to consider a different gauge string to prevent potential damage or achieve optimal tone and playability.
- String 9 (Lowest String) to E1: From an assumed starting note of C#1, tune up 3 semitones. This is a moderate adjustment and generally safe for standard string gauges.
- String 8 to E1: From an assumed starting note of F#1, tune down 2 semitones. This is a moderate adjustment and generally safe for standard string gauges.
- String 7 to E1: From an assumed starting note of B1, tune down 7 semitones. Caution: This is a substantial drop in tension; a heavier gauge string is strongly advised for optimal performance, to maintain better intonation, and to reduce the risk of the string feeling too loose.
- String 6 to E1: From an assumed starting note of E2, tune down 12 semitones (a full octave). Extreme Caution: This is an extremely significant drop in tension; a much heavier gauge string is strongly recommended to maintain proper tension and tone, and to prevent the string from becoming excessively slack and unplayable.
- String 5 to E2: From an assumed starting note of A2, tune down 5 semitones. Caution: This is a notable drop in tension; a heavier gauge string is advised for improved playability and tone.
- String 4 to E2: From an assumed starting note of D#3, tune down 10 semitones. Extreme Caution: This is an extremely significant drop in tension; a much heavier gauge string is strongly recommended to ensure proper string tension and intonation.
- String 3 to E3: From an assumed starting note of G3, tune down 3 semitones. This is a moderate adjustment and generally safe for standard string gauges.
- String 2 to E3: From an assumed starting note of B3, tune down 7 semitones. Caution: This is a substantial drop in tension; a heavier gauge string is strongly advised for optimal performance and playability.
- String 1 (Highest String) to E4: Keep as is; no change (0 semitones). The target note for this string is E4.
Always tune carefully and ensure your instrument can handle the significant changes in string tension before proceeding. Consulting a guitar technician for string gauge recommendations is prudent for such extreme tunings.
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Capos for EEEEEEEEE
Capo | Tuning | Name |
---|---|---|
0 | EEEEEEEEE | E |
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Tuning Map
- Fret
- S9
- S8
- S7
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- C
- F
- A#
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- C#
- F#
- B
- E
- A
- D
- G
- B
- E
- -11
- D
- G
- C
- F
- A#
- D#
- G#
- C
- F
- -10
- D#
- G#
- C#
- F#
- B
- E
- A
- C#
- F#
- -9
- E
- A
- D
- G
- C
- F
- A#
- D
- G
- -8
- F
- A#
- D#
- G#
- C#
- F#
- B
- D#
- G#
- -7
- F#
- B
- E
- A
- D
- G
- C
- E
- A
- -6
- G
- C
- F
- A#
- D#
- G#
- C#
- F
- A#
- -5
- G#
- C#
- F#
- B
- E
- A
- D
- F#
- B
- -4
- A
- D
- G
- C
- F
- A#
- D#
- G
- C
- -3
- A#
- D#
- G#
- C#
- F#
- B
- E
- G#
- C#
- -2
- B
- E
- A
- D
- G
- C
- F
- A
- D
- -1
- C
- F
- A#
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- C#
- F#
- B
- E
- A
- D
- G
- B
- E
- 1
- D
- G
- C
- F
- A#
- D#
- G#
- C
- F
- 2
- D#
- G#
- C#
- F#
- B
- E
- A
- C#
- F#
- 3
- E
- A
- D
- G
- C
- F
- A#
- D
- G
- 4
- F
- A#
- D#
- G#
- C#
- F#
- B
- D#
- G#
- 5
- F#
- B
- E
- A
- D
- G
- C
- E
- A
- 6
- G
- C
- F
- A#
- D#
- G#
- C#
- F
- A#
- 7
- G#
- C#
- F#
- B
- E
- A
- D
- F#
- B
- 3
- -2
- -7
- -12
- -5
- -10
- -3
- -7
- 0