EGCEAE Guitar Tuner
EGCEAE EGCEAE - Guitar tuning, chords & scales
The "Charango Guitar (Ukulele Players Edition)" tuning transforms your guitar into a unique, ukulele-inspired instrument, making it incredibly accessible for players familiar with the ukulele's GCEA tuning. This setup is specifically designed to bridge the gap between guitar and ukulele, offering a fresh sonic palette and familiar chord shapes for ukulele enthusiasts.
Verbal Analysis
Imagine taking the beloved, bright sound of a ukulele and transplanting its core into the robust voice of a guitar – that's precisely what this tuning achieves. By retuning the middle four strings (5th to 2nd) to G-C-E-A, mirroring the standard ukulele, it opens up a world of familiar chord voicings and strumming patterns for ukulele players. The outer E strings (low E and high E) frame this ukulele-like core, providing a resonant, full sound that hints at an E-centric tonality while supporting the melodic and harmonic possibilities of the middle strings. It's a fantastic choice for those looking to expand their sound without completely re-learning the fretboard, or for guitarists seeking a distinctive, bright, and folk-inspired timbre. The tuning encourages a different approach to songwriting, often leading to chimey, open voicings and interesting arpeggios.
Technical Analysis
This tuning, E2-G2-C3-E3-A3-E4, creates a distinctive harmonic landscape.
- The open strings present the notes E, G, C, E, A, E from lowest to highest.
- The critical feature is the middle four strings (5th, 4th, 3rd, 2nd) which are tuned to G2, C3, E3, A3. This directly emulates the standard G-C-E-A tuning of a ukulele (though on a guitar, the string order maintains descending pitch from 5th to 4th, etc., rather than a re-entrant octave jump).
- Intervals between open strings (low to high):
- 6th to 5th string (E2 to G2): Minor Third (3 semitones)
- 5th to 4th string (G2 to C3): Perfect Fourth (5 semitones)
- 4th to 3rd string (C3 to E3): Major Third (4 semitones)
- 3rd to 2nd string (E3 to A3): Perfect Fourth (5 semitones)
- 2nd to 1st string (A3 to E4): Perfect Fifth (7 semitones)
The open tuning itself forms a rich chord. The notes E, G, C, E, A, E, when analyzed, contain elements of a C Major 6th chord (C-E-G-A) and an A Minor 7th chord (A-C-E-G), both beautifully supported by the resonant E bass and treble notes. This provides a wonderfully full and ambient sound even before fretting.
Chords and Playability
For ukulele players, this tuning is a game-changer. Any chord shape you know on a ukulele (GCEA) will translate directly to the guitar's 5th, 4th, 3rd, and 2nd strings. This means that chords like C major, G major, A minor, and F major can be played with familiar fingerings on the middle strings.
- Open Chord Voicings: The full open tuning (E-G-C-E-A-E) itself is a complex but pleasing harmony, readily adaptable for ambient or folk styles. It resonates with a Cmaj6 or Am7 sound, grounded by the E notes.
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Ukulele Transference: Any standard ukulele chord shape directly applies to strings 5, 4, 3, 2 (GCEA). For example:
- A C Major on ukulele (often 0003 for GCEA) would translate to playing the open 5th string (G), open 4th string (C), open 3rd string (E), and 3rd fret on the 2nd string (C). Resulting in X-G-C-E-C-X.
- An A Minor on ukulele (often 2000 for GCEA) would translate to 2nd fret on 5th string (A), open 4th (C), open 3rd (E), open 2nd (A). With the full guitar, this becomes E-A-C-E-A-E, forming a very full A minor 7th chord!
- Modal Exploration: The unique intervals foster modal playing, particularly in C Major, A Minor, and E Minor, due to the prevalence of these notes in the open strings. The two E strings provide a strong root for E minor or E major (if you fret the G to G#).
- Drones and Pedals: The low E and high E strings act as natural drones, allowing for interesting melodic lines and chord voicings to be played over a consistent E pedal tone.
This tuning encourages experimentation and offers a comfortable entry point for ukulele players into the guitar while providing guitarists a fresh, inspiring voice.
Open String Notes
- 6th String (Low E): E2
- 5th String (A): G2
- 4th String (D): C3
- 3rd String (G): E3
- 2nd String (B): A3
- 1st String (High E): E4
How to Tune Your Guitar to Charango Guitar (Ukulele Players Edition)
To achieve the "Charango Guitar (Ukulele Players Edition)" tuning, you'll be adjusting several strings from standard E-A-D-G-B-E tuning. Please proceed with care, especially when tuning strings down. If any string movement exceeds -4 or +4 semitones, it's generally advised to consider a different string gauge to avoid excessive tension or looseness.
-
6th String (Low E): From E2 (standard) to E2.
Keep as is; no change (0 semitones). -
5th String (A): From A2 (standard) to G2.
Tune down 2 semitones. -
4th String (D): From D3 (standard) to C3.
Tune down 2 semitones. -
3rd String (G): From G3 (standard) to E3.
Tune down 3 semitones. -
2nd String (B): From B3 (standard) to A3.
Tune down 2 semitones. -
1st String (High E): From E4 (standard) to E4.
Keep as is; no change (0 semitones).
Comments - have your say on EGCEAE
Capos for EGCEAE
Capo | Tuning | Name |
---|---|---|
0 | EGCEAE | EGCEAE |
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- 0
- -2
- -2
- -3
- -2
- 0