EG#EG#EG# Guitar Tuner
EG#EG#EG# | EA♭EA♭EA♭ Expressway To Yr Skull - Guitar tuning, chords & scales
Verbal Analysis
This is the distinctive open tuning used by Sonic Youth for their track "Expressway to Yr Skull," renowned for its experimental and highly resonant qualities. It immediately conjures a vast, shimmering E Major sound, emphasizing the root and major third across multiple octaves. The unique arrangement creates a droning, sustained texture, characteristic of Sonic Youth's soundscapes, allowing for both percussive attacks and ambient sonic exploration. The deliberate absence of the fifth (B) in the open strings gives it a slightly raw, insistent, and less conventional feel than a standard open major chord, making it ideal for creating powerful, ringing chords and exploring dissonant melodic lines.
Technical Analysis
The tuning configuration from lowest to highest string is E2 G#3 E3 G#4 E4 G#5. This technically forms an open E Major chord, specifically an E Major dyad, as it primarily consists of repeating E (root) and G# (major third) notes across four distinct octaves. This structure provides immense harmonic density and a powerful, almost orchestral, drone potential. The repetitive nature of the notes across the strings means that simple barre chords will effectively produce other open Major chords across the fretboard (e.g., barreing at the first fret yields F Major, second fret F# Major, and so on). While the open tuning is an E Major without the fifth, placing a finger on the 2nd fret of the 4th string (D string equivalent) would add the B note, completing a full E Major triad. The string tensions vary significantly from standard tuning; in particular, the 2nd (B string equivalent) and 1st (high E string equivalent) strings are tuned up by 5 and 4 semitones respectively. This considerable increase in tension should be noted, as it often necessitates a heavier gauge string set to maintain tuning stability, prevent string breakage, and ensure proper intonation, especially for sustained play.
Potential Chords & Shapes
- Open E Major Dyad: The tuning itself is E G# E G# E G#, providing a rich, resonant sound with all strings open.
- Barre Chords: By simply barring all six strings at any fret, you can easily create open Major chords across the fretboard (e.g., 1st fret for F Major, 2nd fret for F# Major, etc.).
- Adding the Fifth: To achieve a full E Major triad (E G# B), you can fret the 4th string at the 2nd fret to add the B note. This opens up possibilities for more complete major chord voicings.
- Drones & Harmonics: The repetitive E and G# across octaves are perfect for creating rich droning patterns and exploring natural harmonics.
How to Tune (from Standard EADGBe)
Please be extremely cautious when adjusting string tension. For significant upward tuning (more than 4 semitones), heavier gauge strings are strongly recommended to prevent breakage and ensure better intonation and playability.
- 6th String (Low E): Keep as is; no change (0 semitones).
- 5th String (A): Tune down 1 semitone to G#.
- 4th String (D): Tune up 2 semitones to E.
- 3rd String (G): Tune up 1 semitone to G#.
- 2nd String (B): Tune up 5 semitones to E. (Caution: This is a significant upward adjustment. A heavier gauge string is strongly advised.)
- 1st String (High E): Tune up 4 semitones to G#. (Caution: This is a significant upward adjustment. A heavier gauge string is strongly advised.)
6th String: E2 (The lowest E on the guitar, kept at standard pitch.)
5th String: G#3 (A G-sharp note, tuned down one semitone from the standard A3.)
4th String: E3 (An E note, tuned up two semitones from the standard D3.)
3rd String: G#4 (A G-sharp note, tuned up one semitone from the standard G3.)
2nd String: E4 (An E note, tuned up five semitones from the standard B3.)
1st String: G#5 (A G-sharp note, tuned up four semitones from the standard high E4.)
Comments - have your say on EG#EG#EG#
Capos for EG#EG#EG#
| Capo | Tuning | Name |
|---|---|---|
| 0 | EG#EG#EG# | Expressway To Yr Skull |
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- 0
- -1
- 2
- 1
- 5
- 4
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