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FACECF Guitar Tuner

FACECF Open F Maj 7 Tuning - Guitar tuning, chords & scales

Description - Open F Maj 7 Tuning

Decent for pieces heavily using Lydian Mode and/or 7th chords

The "Open F Maj 7 tuning" transforms your guitar into a resonant soundscape, ideal for creating rich, expansive harmonies. As its name suggests and the tuning description hints, this setup is particularly well-suited for compositions heavily utilizing the Lydian mode and sophisticated 7th chords, offering a bright and slightly ethereal quality.

Verbal Analysis

This tuning immediately presents a full F Major 7th chord (F-A-C-E) when strummed open, giving it a majestic, and somewhat jazz-inflected sound. The open strings ring out a beautiful F Major 7 chord, providing a powerful harmonic foundation without fretting any notes. This makes it incredibly easy to achieve lush, sophisticated sounds. Its inherent brightness and the presence of the major 7th interval make it particularly good for atmospheric pieces, fingerstyle arrangements, or for those exploring more advanced harmonic territories. The open F Major 7 chord provides a natural drone or a clear starting point for melodic exploration. The mention of the Lydian mode is spot on; the open notes (F, A, C, E) are all present in an F Lydian scale (F G A B C D E), making it effortless to play melodies and improvisations that embody that bright, dreamlike quality.

Technical Analysis

The open strings are tuned to F2, A2, C3, E3, C4, F4 (from low E to high E). This precisely spells out an F Major 7th chord with octave doublings:

  • F (Root) - Strings 6 (F2) and 1 (F4)
  • A (Major 3rd) - String 5 (A2)
  • C (Perfect 5th) - Strings 4 (C3) and 2 (C4)
  • E (Major 7th) - String 3 (E3)
The strategic doubling of the root (F) and the fifth (C) across different octaves adds to the tuning's richness and depth. Because the open strings form an Fmaj7 chord, sliding a barre finger across any fret will instantly give you another major 7th chord. For example, a barre at the 1st fret yields F#maj7, at the 2nd fret Gmaj7, and so on, providing a simplified approach to playing these complex chords. Beyond this, partial barres and simple two-finger shapes can yield a vast array of major, minor, and dominant 7th voicings with minimal effort, especially when exploring chord shapes within the F Lydian scale.

How to Tune

To achieve the "Open F Maj 7 tuning" from standard EADGBe tuning, follow these adjustments:

  • 6th String (Low E): Tune up 1 semitone from E to F2. (Tune up 1 semitones)
  • 5th String (A): Keep as is; no change from A to A2. (Keep as is; no change (0 semitones))
  • 4th String (D): Tune down 2 semitones from D to C3. (Tune down 2 semitones)
  • 3rd String (G): Tune down 3 semitones from G to E3. (Tune down 3 semitones)
  • 2nd String (B): Tune up 1 semitone from B to C4. (Tune up 1 semitones)
  • 1st String (High E): Tune up 1 semitone from E to F4. (Tune up 1 semitones)

Most of these string movements are relatively minor. The largest adjustment is tuning down by 3 semitones. Generally, when tuning a string up or down by 3 or 4 semitones, it is advisable to exercise caution. While these specific movements are within reasonable limits for standard string gauges, always be mindful of your guitar's tension and the integrity of your strings, especially if you plan to keep the tuning for an extended period.



6th String: F2
5th String: A2
4th String: C3
3rd String: E3
2nd String: C4
1st String: F4

F
A
C
E
C
F

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Capos for FACECF

Capo Tuning Name
0 FACECF Open F Maj 7 Tuning

Scales for FACECF

A A# B C C# D

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