FACG Bass Electric Tuner
FACG Fadd9 On Bass - Bass Electric tuning, chords & scales
Overview
The 'Fadd9 on Bass' tuning is a creative and deeply resonant tuning for the Electric Bass. As described, it translates the adventurous FACGCE guitar tuning concept to the bass, offering a unique sonic landscape for bassists. This tuning moves all strings significantly lower than standard, resulting in a rich, full sound with an open Fadd9 chord available on the open strings.
Technical Analysis
This tuning sets the open strings to F1 - A1 - C2 - G2 (from lowest to highest). Let's break down the intervals and harmonic possibilities:
- F1 to A1: A major third.
- A1 to C2: A minor third.
- C2 to G2: A perfect fifth.
The combination of F-A-C-G on open strings forms a clear F Major add9 chord. This characteristic makes the tuning exceptionally useful for styles where a strong F major tonality or a dark, open F chord is desired. It allows for effortless droning on an Fadd9, providing a solid harmonic foundation. The wide intervals between some strings, particularly the perfect fifth between C2 and G2, offer interesting melodic and harmonic voicing opportunities across the fretboard. Basslines can take on a more open, guitar-like quality, while still providing the low-end punch expected from a bass.
How to Tune
To achieve the 'Fadd9 on Bass' tuning (F1-A1-C2-G2), you will be tuning all strings down from their standard pitch. While standard bass tuning is typically E1-A1-D2-G2, the movements described below will lead you to the specified target notes. Please adjust each string carefully:
- 4th String (Lowest, targeting F1): Tune down 1 semitone.
- 3rd String (targeting A1): Tune down 2 semitones.
- 2nd String (targeting C2): Tune down 4 semitones. Please note: Tuning down 4 semitones is a significant change in string tension. For sustained use of this tuning, a heavier gauge string is advised to maintain optimal playability and intonation.
- 1st String (Highest, targeting G2): Tune down 2 semitones.
Always tune slowly and check your intonation after making significant changes to ensure your bass plays in tune across the fretboard.
4th String (Lowest): F1 - Tuned down 1 semitone from its implied starting note to provide a deep, foundational F, serving as the root of the open Fadd9 chord.
3rd String: A1 - Tuned down 2 semitones from its implied starting note. This A forms the major third of the Fadd9 chord, creating a rich harmonic bedrock.
2nd String: C2 - Tuned down 4 semitones from its implied starting note. This C provides the perfect fifth of the Fadd9 chord, completing the major triad and adding depth. This significant drop in pitch may require a heavier string gauge.
1st String (Highest): G2 - Tuned down 2 semitones from its implied starting note. This G adds the major ninth to the F major triad, creating the distinctive Fadd9 sound directly on the open strings.
Comments - have your say on FACG
Capos for FACG
Capo | Tuning | Name |
---|---|---|
-14 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
-13 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
-12 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
-11 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
-10 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
-9 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
-8 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
-7 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
-6 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
-5 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
-4 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
-3 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
-2 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
-1 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
0 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
1 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
2 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
3 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
4 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
5 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
6 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
7 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
8 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
9 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
10 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
11 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
12 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
13 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
14 | F#F#BE | Slipknot - Scissors (Bass Tuning) [Drop F# Bass?] |
More FACG Resources
Loading an obscene
amount of Chords
Loading an obscene
amount of Scales
Please use the below form to submit a song for FACG that is not already on gtdb.org.
Videos for FACG on
Tuning Map
- Fret
- S8
- S7
- S6
- S5
- -13
- F
- A#
- D#
- G#
- -12
- F#
- B
- E
- A
- -11
- G
- C
- F
- A#
- -10
- G#
- C#
- F#
- B
- -9
- A
- D
- G
- C
- -8
- A#
- D#
- G#
- C#
- -7
- B
- E
- A
- D
- -6
- C
- F
- A#
- D#
- -5
- C#
- F#
- B
- E
- -4
- D
- G
- C
- F
- -3
- D#
- G#
- C#
- F#
- -2
- E
- A
- D
- G
- -1
- F
- A#
- D#
- G#
- 0
- F#
- B
- E
- A
- 1
- G
- C
- F
- A#
- 2
- G#
- C#
- F#
- B
- 3
- A
- D
- G
- C
- 4
- A#
- D#
- G#
- C#
- 5
- B
- E
- A
- D
- 6
- C
- F
- A#
- D#
- 7
- C#
- F#
- B
- E
- -1
- -2
- -4
- -2