FAC#A#A#F Guitar Tuner
FAC#A#A#F | FAD♭B♭B♭F Argentiferous Tuning - Guitar tuning, chords & scales
The Argentiferous Tuning: A Technical and Verbal Analysis
The Argentiferous Tuning presents a highly distinctive and experimental approach to guitar voicing, diverging significantly from conventional tunings. It's designed to evoke unique harmonic landscapes rather than facilitate standard chord shapes.
Technically, the open strings for this tuning are set to: F2-A2-C#3-A#3-A#3-F4 (from the lowest to the highest string). This structure directly incorporates the description provided: the bass strings (6, 5, and 4) tuned to F2, A2, and C#3, indeed form an F augmented triad (F-A-C#). This foundation imbues the lower register with a tense, unresolved, and expansive quality, immediately setting a mood that is far from typical.
On the treble side, strings 3, 2, and 1 are tuned to A#3, A#3, and F4. The tuning description refers to these as 'A#5'. While 'A#5' conventionally denotes an A# power chord, the specific notes used (A# and F, with the A# doubled) accurately constitute an A# power chord (root and perfect fifth). This creates a strong, focused, and harmonically powerful sound on the higher strings, offering a stark contrast to the augmented character of the bass.
When all open strings are strummed together, the tuning produces a complex and profoundly dissonant harmony: F, A, C#, A#, F. The juxtaposition of A and A# (which is enharmonically Bb) creates a strong minor second interval, generating significant tension and a somewhat 'cluster-like' chord. This makes the tuning particularly suited for experimental music, ambient textures, or compositions that intentionally explore dissonance and unique sonic palettes. It offers a rich, avant-garde sound for those willing to venture beyond traditional harmonic structures.
Chords within immediate reach are primarily those derived from the open string voicings. An open F augmented chord is readily available on the bass strings (6, 5, 4), and an A# power chord on the treble strings (3, 2, 1). Barring all strings at any fret will transpose these distinct augmented and power chord shapes up the neck, allowing for dynamic shifts in tonality. The doubled A# on strings 3 and 2 also presents excellent opportunities for drone notes, creating a sustained, resonant backdrop. However, players accustomed to standard open major/minor chords will find this tuning requires a complete re-learning of the fretboard, as familiar shapes will produce entirely different, and often dissonant, results.
How to Tune Your Guitar to Argentiferous Tuning
To set your guitar to the Argentiferous Tuning, you will adjust your strings from standard tuning (E2-A2-D3-G3-B3-E4, low to high). Please follow the instructions below carefully for each string. All specified semitone adjustments are within a safe range for standard guitar string gauges; however, always exercise caution when tuning, especially when raising pitch.
- String 6 (Low E): Tune up 1 semitone from E2 to F2.
- String 5 (A): Keep as is; no change (0 semitones). Stays at A2.
- String 4 (D): Tune down 1 semitone from D3 to C#3.
- String 3 (G): Tune up 3 semitones from G3 to A#3.
- String 2 (B): Tune down 1 semitone from B3 to A#3.
- String 1 (High E): Tune up 1 semitone from E4 to F4.
The final open tuning for your guitar will be: F2-A2-C#3-A#3-A#3-F4 (low to high).
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Capos for FAC#A#A#F
Capo | Tuning | Name |
---|---|---|
0 | FAC#A#A#F | Argentiferous Tuning |
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- 1
- 0
- -1
- 3
- -1
- 1