FA#C#FA#C# Guitar Tuner
FA#C#FA#C# | FB♭D♭FB♭D♭ PERSONAL ETHERAL TUNING - Guitar tuning, chords & scales
Verbal Analysis
The "PERSONAL ETHERAL TUNING" truly lives up to its name, crafting a unique and expansive soundscape. The open strings, ranging from a deep F2 to a bright C#5, collectively form a rich and resonant Bb minor chord (Bb-Db-F). With the low F providing a strong, grounding foundation beneath the chord, this tuning immediately evokes an atmospheric, melancholic, or cinematic feel.
This tuning is exceptionally well-suited for ambient music, introspective songwriting, or experimental guitar work where traditional major/minor open chords are less desired. The inherent minor tonality across the open strings makes it surprisingly effortless to construct harmonically rich phrases and sustained textures with minimal finger pressure.
Technical Analysis
This Guitar tuning is configured as follows for the open strings, from thickest (6th) to thinnest (1st):
- 6th String: F2
- 5th String: A#3 (enharmonically Bb3)
- 4th String: C#4 (enharmonically Db4)
- 3rd String: F3
- 2nd String: A#4 (enharmonically Bb4)
- 1st String: C#5 (enharmonically Db5)
The unique set of notes presented by the open strings is F, A# (Bb), and C# (Db). When struck together, these notes distinctly outline a Bb minor triad (Bb - Db - F), with the lowest F note providing a deep, resonant pedal tone. This configuration establishes a powerful open chord as the fundamental sound of the instrument.
Open Chords & Playing Possibilities
- Instant Bb Minor: Strumming all open strings directly produces a full, resonant Bb minor chord. This is perfect for creating drone effects, atmospheric soundscapes, or as a foundational chord in a progression.
- Slide Chords: By simply barring across any fret, you can effortlessly shift the entire Bb minor chord shape up or down the neck. For example, barring at the 1st fret yields a B minor chord, at the 2nd fret a C minor, and so on, simplifying complex chord progressions.
- Melodic Exploration: The consistent minor tonality across the open strings significantly simplifies melodic improvisation within the Bb minor scale and its related modes, making it easy to find compelling melodic lines.
- Suspended Qualities: The F-A#-C# (F-Bb-Db) voicing can also be interpreted as an Fsus4 with a flat 5th, offering unique harmonic tension and release possibilities that extend beyond typical minor chord voicings.
Tuning Notes & 'How to Tune' Guide
To achieve the "PERSONAL ETHERAL TUNING", you will adjust your strings from a standard E Standard tuning (E-A-D-G-B-E). Follow these precise movements for each string:
- 6th String (Low E): Tune up 1 semitone from E2 to F2. This is a minor adjustment and is generally considered safe for most standard string gauges.
- 5th String (A): Tune up 1 semitone from A3 to A#3. Another minor adjustment, typically safe and straightforward.
- 4th String (D): Tune down 1 semitone from D4 to C#4. A minor downward adjustment, generally safe.
- 3rd String (G): Tune down 2 semitones from G3 to F3. This is a moderate downward adjustment and should be safe for your strings.
- 2nd String (B): Tune down 1 semitone from B4 to A#4. A minor downward adjustment, typically safe.
- 1st String (High E): Tune down 3 semitones from E5 to C#5. This is a moderate downward adjustment and should be safe for your strings.
Important Note on String Gauge: For substantial string movements exceeding 4 semitones (either up or down), it is often recommended to consider using a different string gauge to maintain optimal string tension, intonation, and longevity. For this particular tuning, all individual string adjustments are within a reasonable and generally safe range (maximum of 3 semitones), though always exercise caution and listen to your guitar when making any tuning changes.
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Capos for FA#C#FA#C#
Capo | Tuning | Name |
---|---|---|
-3 | DGA#DGA# | Russian Guitar In Minor (Gypsy) |
-1 | EACEAC | Double Am |
0 | FA#C#FA#C# | PERSONAL ETHERAL TUNING |
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- 1
- 1
- -1
- -2
- -1
- -3