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FA#C#F#C#F Guitar Tuner

FA#C#F#C#F | FB♭D♭G♭D♭F F#Maj7 Tuning - Guitar tuning, chords & scales

Description - F#Maj7 Tuning

Just another fun tuning I've come up with while searching for the perfect opening tuning. It comes close.

Verbal Analysis

Dive into the unique soundscape of the F#Maj7 Tuning, a creation described by its developer as 'just another fun tuning' that comes close to a perfect opening. This tuning offers a rich, resonant foundation that hints at sophisticated jazz harmonies or deep, atmospheric soundscapes. Its open voicings are designed to inspire, providing an immediate sense of harmonic complexity that's both intriguing and highly musical. Prepare for a tuning that challenges the norm and unlocks new creative pathways, perfect for exploring intricate fingerstyle patterns or lush, ambient chord progressions.

Technical Analysis

This intriguing six-string tuning presents the notes F2, A#3, C#4, F#4, C#5, F4 from low to high (E6-E1 standard positions). While named 'F#Maj7 Tuning', a closer look reveals a sophisticated harmonic structure. The notes A#3, C#4, F#4, C#5, and F4 (which is enharmonically E#) clearly articulate an F# Major 7th chord (F#, A#, C#, E#). However, the lowest string, F2, is a natural F, not F#. This creates a compelling F# Major 7th chord with an F natural bass – essentially an F#Maj7/F voicing. This open chord is deeply resonant, offering a slightly melancholic yet vibrant sound, ideal for fingerstyle, arpeggios, or ambient textures.

The open strings provide the following harmonic structure:

  • String 6 (F2): The foundational F bass note.
  • String 5 (A#3): The major third of F#.
  • String 4 (C#4): The perfect fifth of F#.
  • String 3 (F#4): The octave of the root F#.
  • String 2 (C#5): The octave of the perfect fifth C#.
  • String 1 (F4): The major seventh (E#) of F#, an octave above the low F.

The presence of F#, C#, and A# in multiple octaves creates opportunities for powerful, open voicings. Barring across any fret will naturally transpose this F#Maj7/F chord, allowing for easy exploration of different keys while retaining the core harmonic relationship. The closely voiced A#3, C#4, F#4 on strings 5, 4, and 3, coupled with the resonant low F2, makes this tuning exceptionally rich for arpeggiated patterns and sustained chords. You can easily achieve solid F# power chords by utilizing strings 3, 4, and 5, or simply barring across the top four strings to create various major 7th qualities relative to the root on the 3rd string.

How to Tune

To achieve the F#Maj7 Tuning, adjust your guitar from standard EADGBe tuning according to the following instructions:

  • String 6 (Low E to F2): Tune up 1 semitone.
  • String 5 (A to A#3): Tune up 1 semitone.
  • String 4 (D to C#4): Tune down 1 semitone.
  • String 3 (G to F#4): Tune down 1 semitone.
  • String 2 (B to C#5): Tune up 2 semitones.
  • String 1 (High E to F4): Tune up 1 semitone.

Important Note: While none of the individual string movements in this tuning exceed 4 semitones up or down, which generally does not require a different string gauge, it's always advisable to ensure your guitar's setup can handle the tension changes. This is especially true when tuning multiple strings up. If you plan to use this tuning frequently or for extended periods, considering a string gauge adjustment might be beneficial for optimal playability and instrument health.



String 6: F2 (the lowest string)

String 5: A#3

String 4: C#4

String 3: F#4

String 2: C#5

String 1: F4 (the highest string)

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Capos for FA#C#F#C#F

Capo Tuning Name
0 FA#C#F#C#F F#Maj7 Tuning

Scales for FA#C#F#C#F

A A# B C C# D

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