FA#D#G#C#FA#D# Guitar Tuner
FA#D#G#C#FA#D# | FBâ™Eâ™Aâ™Dâ™FBâ™Eâ™ 8 String F Standard Variant - Guitar tuning, chords & scales
Description - 8 String F Standard Variant
C#6/9 is what this site says, really it's just F Standard for an 8 string with c# instead of c. For contortionist material off of exoplanet album. I also like how F sounds more than F#, it matches vocal tones better for talking at room level and makes me think my guitar can really talk. I'm actually pretty high. This is shadow people but my guitar
The "8 string F standard variant" tuning plunges the guitar into a profoundly low and dark sonic landscape, ideal for heavy progressive and experimental metal genres. As the name suggests, it’s a modification of the conventional 8-string F standard tuning, specifically designed for those who appreciate the deep resonance of F but desire a unique, slightly dissonant edge.
Technical Analysis:
This tuning sets the open strings to F1, A#2, D#3, G#3, C#4, F3, A#4, D#5. Compared to a true F Standard (F-A#-D#-G#-C-F-A#-D#), the key alteration here is the 4th string (from thickest), which is tuned to C#4 instead of C4. This subtle change introduces a distinct character, creating a tritone interval (augmented 4th / diminished 5th) between the lowest F (F1) and this C#4 when considering them as a simple interval from the root. This contributes to a more complex and unsettling harmonic texture.
The tuning features a strong emphasis on perfect fourth intervals across multiple strings (A#2-D#3, D#3-G#3, G#3-C#4, A#4-D#5), which makes power chords and heavy riffing highly intuitive and easily accessible across the neck. The lowest F1 string paired with the F3 string (two octaves higher) provides a robust, foundational root. The overall open string voicing—F, A#, D#, G#, C#—doesn't form a simple major or minor chord, instead leaning towards a dense, ambiguous, and somewhat dissonant cluster, ideal for atmospheric or aggressive soundscapes.
Verbal and Sonic Impressions:
This tuning evokes a powerful, almost guttural presence. The user's description hints at its use for "contortionist material off of Exoplanet album," suggesting a progressive, technical death metal context where complex, low-end riffs are paramount. The preference for 'F' over 'F#' is noted, as the lower register is perceived to match "vocal tones better for talking at room level" and gives the guitar a "talking" quality, implying a desire for deep resonance and articulate growl. This tuning is not for the faint of heart; it's crafted for intricate, heavy compositions that demand a unique harmonic palette and an instrument that can truly "speak" in the lower registers, delivering a sound that is both crushing and nuanced.
How to Tune:
To achieve this tuning, you will adjust your strings from a standard tuning configuration as follows. Please note that all string movements specified are within a reasonable range and typically do not require a change in string gauge.
- 8th String (F1): Tune down 1 semitone.
- 7th String (A#2): Tune down 1 semitone.
- 6th String (D#3): Tune down 1 semitone.
- 5th String (G#3): Tune down 1 semitone.
- 4th String (C#4): Tune down 1 semitone.
- 3rd String (F3): Tune down 2 semitones.
- 2nd String (A#4): Tune down 1 semitone.
- 1st String (D#5): Tune down 1 semitone.
The open strings for this 8-string F standard variant tuning are set as follows (from thickest to thinnest):
- 8th String: F1 (Low F)
- 7th String: A#2 (A sharp)
- 6th String: D#3 (D sharp)
- 5th String: G#3 (G sharp)
- 4th String: C#4 (C sharp)
- 3rd String: F3 (F)
- 2nd String: A#4 (A sharp)
- 1st String: D#5 (High D sharp)
Comments - have your say on FA#D#G#C#FA#D#
Capos for FA#D#G#C#FA#D#
Capo | Tuning | Name |
---|---|---|
0 | FA#D#G#C#FA#D# | 8 String F Standard Variant |
1 | F#BEADF#BE | Extended Baritone Standard 8 String |
2 | GCFA#D#GCF | 1/2 Step Above Standard 8 String |
3 | G#C#F#BEG#C#F# | 6-string Guitar In Between |
4 | ADGCFADG | F6/9... Sun Eater |
6 | BEADGBEA | 8-string High A |
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Tuning Map
- Fret
- S8
- S7
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- F
- A#
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- F#
- B
- E
- A
- D
- G
- B
- E
- -11
- G
- C
- F
- A#
- D#
- G#
- C
- F
- -10
- G#
- C#
- F#
- B
- E
- A
- C#
- F#
- -9
- A
- D
- G
- C
- F
- A#
- D
- G
- -8
- A#
- D#
- G#
- C#
- F#
- B
- D#
- G#
- -7
- B
- E
- A
- D
- G
- C
- E
- A
- -6
- C
- F
- A#
- D#
- G#
- C#
- F
- A#
- -5
- C#
- F#
- B
- E
- A
- D
- F#
- B
- -4
- D
- G
- C
- F
- A#
- D#
- G
- C
- -3
- D#
- G#
- C#
- F#
- B
- E
- G#
- C#
- -2
- E
- A
- D
- G
- C
- F
- A
- D
- -1
- F
- A#
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- F#
- B
- E
- A
- D
- G
- B
- E
- 1
- G
- C
- F
- A#
- D#
- G#
- C
- F
- 2
- G#
- C#
- F#
- B
- E
- A
- C#
- F#
- 3
- A
- D
- G
- C
- F
- A#
- D
- G
- 4
- A#
- D#
- G#
- C#
- F#
- B
- D#
- G#
- 5
- B
- E
- A
- D
- G
- C
- E
- A
- 6
- C
- F
- A#
- D#
- G#
- C#
- F
- A#
- 7
- C#
- F#
- B
- E
- A
- D
- F#
- B
- -1
- -1
- -1
- -1
- -1
- -2
- -1
- -1