FA#FA#C#FA#C# Guitar Tuner
FA#FA#C#FA#C# | FB♭FB♭D♭FB♭D♭ Open Bb/A# Minor - Guitar tuning, chords & scales
This "Open Bb/A# minor" tuning is a profoundly dark and melancholic setup for the guitar, echoing the sentiment described as "a much darker twist on one of my favorite tunings. It feels like death and hell." It draws a poignant connection to classical works like Chopin's "Funeral March," composed in Bb minor, inherently associating it with solemnity and the grave.
Technical Analysis:
This tuning is designed for an 8-string guitar, providing an expansive range for deep, resonant voicings. When all open strings are strummed, the tuning resolves to a full and rich Bb minor chord (Bb - Db - F).
The open string notes are configured as follows, from the lowest (8th) string to the highest (1st):
- 8th String: F1 (Perfect 5th of Bb)
- 7th String: A#2 (Bb2) (Root)
- 6th String: F2 (Perfect 5th of Bb)
- 5th String: A#3 (Bb3) (Root)
- 4th String: C#4 (Db4) (Minor 3rd of Bb)
- 3rd String: F3 (Perfect 5th of Bb)
- 2nd String: A#4 (Bb4) (Root)
- 1st String: C#5 (Db5) (Minor 3rd of Bb)
This arrangement ensures that the Bb minor triad is voiced across multiple octaves and string sets, creating a dense, powerful, and inherently somber sonic landscape. The repeated Root-Fifth-MinorThird pattern (Bb-F-Db) allows for easily accessible barre chords across the fretboard. Simply barring all strings at any fret will yield a minor chord rooted at that fret, retaining the dark character of the open tuning.
The intervals of perfect 4ths and octaves between several adjacent strings also facilitate drone-like compositions and atmospheric textures. This tuning would be particularly well-suited for genres like doom metal, funeral doom, melancholic progressive rock, or any style requiring a heavy, introspective, and mournful tonal palette.
How to Tune to Open Bb/A# Minor:
To achieve the "Open Bb/A# minor" tuning, you will adjust your standard 8-string guitar's pitch according to the following instructions. Please use a reliable tuner for accuracy and exercise caution, especially when tuning strings up significantly.
- 8th String (Lowest): Tune down 1 semitones. Your 8th string will be F1.
- 7th String: Tune down 1 semitones. Your 7th string will be A2#.
- 6th String: Tune up 1 semitones. Your 6th string will be F2.
- 5th String: Tune up 1 semitones. Your 5th string will be A3#.
- 4th String: Tune down 1 semitones. Your 4th string will be C4#.
- 3rd String: Tune down 2 semitones. Your 3rd string will be F3.
- 2nd String: Tune down 1 semitones. Your 2nd string will be A4#.
- 1st String (Highest): Tune down 3 semitones. Your 1st string will be C5#.
Important Tuning Advice: When tuning, especially movements greater than 3 or 4 semitones up or down, always proceed slowly and carefully to prevent string breakage or damage to your instrument. For very extreme pitch changes (exceeding negative 4 or positive 4 semitones from a reference tuning), it is generally recommended to consider a different string gauge to ensure optimal tension and playability.
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Capos for FA#FA#C#FA#C#
Capo | Tuning | Name |
---|---|---|
0 | FA#FA#C#FA#C# | Open Bb/A# Minor |
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Tuning Map
- Fret
- S8
- S7
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- F
- A#
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- F#
- B
- E
- A
- D
- G
- B
- E
- -11
- G
- C
- F
- A#
- D#
- G#
- C
- F
- -10
- G#
- C#
- F#
- B
- E
- A
- C#
- F#
- -9
- A
- D
- G
- C
- F
- A#
- D
- G
- -8
- A#
- D#
- G#
- C#
- F#
- B
- D#
- G#
- -7
- B
- E
- A
- D
- G
- C
- E
- A
- -6
- C
- F
- A#
- D#
- G#
- C#
- F
- A#
- -5
- C#
- F#
- B
- E
- A
- D
- F#
- B
- -4
- D
- G
- C
- F
- A#
- D#
- G
- C
- -3
- D#
- G#
- C#
- F#
- B
- E
- G#
- C#
- -2
- E
- A
- D
- G
- C
- F
- A
- D
- -1
- F
- A#
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- F#
- B
- E
- A
- D
- G
- B
- E
- 1
- G
- C
- F
- A#
- D#
- G#
- C
- F
- 2
- G#
- C#
- F#
- B
- E
- A
- C#
- F#
- 3
- A
- D
- G
- C
- F
- A#
- D
- G
- 4
- A#
- D#
- G#
- C#
- F#
- B
- D#
- G#
- 5
- B
- E
- A
- D
- G
- C
- E
- A
- 6
- C
- F
- A#
- D#
- G#
- C#
- F
- A#
- 7
- C#
- F#
- B
- E
- A
- D
- F#
- B
- -1
- -1
- 1
- 1
- -1
- -2
- -1
- -3