FBEADGBE Guitar Tuner
FBEADGBE 1/2 Drop F - Guitar tuning, chords & scales
Tuning Analysis: 1/2 Drop F
Verbal Description
The "1/2 Drop F" tuning for an 8-string guitar plunges your instrument into a world of extreme low frequencies, offering a dark and resonant sonic landscape. While featuring an incredibly deep F1 on the lowest string, it cleverly maintains the familiar intervalic relationships of standard E tuning across its higher strings (E2 A2 D3 G3 B3 E4), allowing for easy transposition of your favorite chord shapes and riffs. This tuning is perfect for genres like progressive metal, djent, and ambient soundscapes where an extended low range and powerful, heavy tones are desired, giving a huge, guttural foundation to your sound.
Technical Analysis
This tuning is derived from a common 8-string F# Standard tuning (F#1 B1 E2 A2 D3 G3 B3 E4), specifically by dropping its lowest F# string by a half-step to F1. The full open string configuration from lowest to highest is F1, B1, E2, A2, D3, G3, B3, E4.
Specifically:
- String 8 (F1): Provides an exceptionally low bass foundation, acting as a sub-bass element.
- Strings 7-1 (B1 E2 A2 D3 G3 B3 E4): These strings collectively establish the intervals of B Standard tuning. Crucially, the top six strings (6th to 1st: E2 A2 D3 G3 B3 E4) are precisely the same intervals as standard EADGBE tuning, just two whole steps lower.
This arrangement means that all standard EADGBE chord shapes and scale patterns can be directly applied to the top six strings, simply sounding two whole steps deeper. Open power chords are readily accessible on the lower strings by barring the 8th, 7th, and 6th strings (F1, B1, E2) or 8th and 7th strings for deep two-note voicings. The overall wide range of notes allows for complex voicings and incredibly heavy, articulate riffing.
How to Tune
To achieve the 1/2 Drop F tuning, assuming you are starting from a standard 8-string F# Standard setup (F#1 B1 E2 A2 D3 G3 B3 E4), follow these simple steps:
- String 8 (F#1 to F1): Tune this string down 1 semitone from F#1 to F1.
- String 7 (B1): Keep as is; no change (0 semitones).
- String 6 (E2): Keep as is; no change (0 semitones).
- String 5 (A2): Keep as is; no change (0 semitones).
- String 4 (D3): Keep as is; no change (0 semitones).
- String 3 (G3): Keep as is; no change (0 semitones).
- String 2 (B3): Keep as is; no change (0 semitones).
- String 1 (E4): Keep as is; no change (0 semitones).
Please note that tuning the 8th string down by only one semitone is well within safe limits for standard string gauges. No special considerations for string tension or gauge are typically required for this specific movement.
String 8: F1
String 7: B1
String 6: E2
String 5: A2
String 4: D3
String 3: G3
String 2: B3
String 1: E4
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Capos for FBEADGBE
Capo | Tuning | Name |
---|---|---|
-1 | EA#D#G#C#F#A#D# | Half Step Single Drop E Tuning |
0 | FBEADGBE | 1/2 Drop F |
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Tuning Map
- Fret
- S8
- S7
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- F
- A#
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- F#
- B
- E
- A
- D
- G
- B
- E
- -11
- G
- C
- F
- A#
- D#
- G#
- C
- F
- -10
- G#
- C#
- F#
- B
- E
- A
- C#
- F#
- -9
- A
- D
- G
- C
- F
- A#
- D
- G
- -8
- A#
- D#
- G#
- C#
- F#
- B
- D#
- G#
- -7
- B
- E
- A
- D
- G
- C
- E
- A
- -6
- C
- F
- A#
- D#
- G#
- C#
- F
- A#
- -5
- C#
- F#
- B
- E
- A
- D
- F#
- B
- -4
- D
- G
- C
- F
- A#
- D#
- G
- C
- -3
- D#
- G#
- C#
- F#
- B
- E
- G#
- C#
- -2
- E
- A
- D
- G
- C
- F
- A
- D
- -1
- F
- A#
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- F#
- B
- E
- A
- D
- G
- B
- E
- 1
- G
- C
- F
- A#
- D#
- G#
- C
- F
- 2
- G#
- C#
- F#
- B
- E
- A
- C#
- F#
- 3
- A
- D
- G
- C
- F
- A#
- D
- G
- 4
- A#
- D#
- G#
- C#
- F#
- B
- D#
- G#
- 5
- B
- E
- A
- D
- G
- C
- E
- A
- 6
- C
- F
- A#
- D#
- G#
- C#
- F
- A#
- 7
- C#
- F#
- B
- E
- A
- D
- F#
- B
- -1
- 0
- 0
- 0
- 0
- 0
- 0
- 0