FCEGBC Guitar Tuner
FCEGBC East Coast Emo - Guitar tuning, chords & scales
About the East Coast Emo Tuning
The "East Coast Emo" tuning for Guitar, as its name suggests, is crafted to evoke the characteristic emotional depth and often melancholic or intricate soundscapes found in the genre. Unlike standard tunings, it departs significantly to offer fresh harmonic possibilities and open voicings.
Technical Analysis: F-C-E-G-B-C
This tuning presents an open string voicing of F2-C3-E3-G3-B3-C4. Analyzing the intervals from the lowest string (F), we find a rich, complex sonority:
- The 6th string (F2) establishes the root.
- The 5th string (C3) provides a perfect fifth, grounding the sound.
- The 4th string (E3) introduces a major seventh, adding a sophisticated, open quality.
- The 3rd string (G3) brings in a major ninth (or major second), further expanding the harmonic palette.
- The 2nd string (B3) is a major third above G, creating a tritone relationship with the root F, or an augmented eleventh from the root. This is a key contributor to the tuning's unique emotional character.
- The 1st string (C4) acts as an octave of the C3, reinforcing the fifth and adding brightness to the upper register.
Together, these notes form a complex chord, primarily an Fmaj9#11 (F C E G B C). This implies a very open, ringing, and slightly dissonant sound, which is perfect for arpeggiated figures and sustained chords that convey introspection or tension.
Verbal Analysis & Chords in Reach
The tuning offers a lush, expansive sound when strummed open, immediately suggesting an emotional or atmospheric context rather than straightforward major/minor tonalities. The prominent C major triad formed by the 5th, 4th, and 3rd strings (C-E-G) provides a familiar anchor within the broader, more complex F-based harmony. This allows for easily accessible C major voicings and movements around that center.
The proximity of the B3 and C4 on the top two strings (a semitone apart) creates excellent opportunities for ringing drones, melodic embellishments, and subtle dissonances through hammer-ons, pull-offs, and slides. The overall effect is one of shimmering open strings, capable of producing both delicate, intricate passages and powerful, emotionally charged chordal swells. Players will find that traditional chord shapes are largely redefined, encouraging exploration of new voicings and chord fragments across the fretboard, especially those that leverage the open C-E-G and the tension of the B against the F.
How to Tune Your Guitar to East Coast Emo
To achieve the East Coast Emo tuning, you'll be adjusting your guitar from standard EADGBe tuning. Please follow the instructions carefully for each string. Remember to use a tuner and tune slowly.
- 6th String (Low E) to F2: Tune up 1 semitone. This string will now sound as F2.
- 5th String (A) to C3: Tune up 3 semitones. This string will now sound as C3. Caution: Tuning up 3 semitones is a significant adjustment; ensure your strings and guitar can handle the increased tension. Consider a lighter gauge string if this tuning is used frequently.
- 4th String (D) to E3: Tune up 2 semitones. This string will now sound as E3.
- 3rd String (G) to G3: Keep as is; no change (0 semitones). This string remains G3.
- 2nd String (B) to B3: Keep as is; no change (0 semitones). This string remains B3.
- 1st String (High E) to C4: Tune down 4 semitones. This string will now sound as C4. Caution: Tuning down 4 semitones is a significant adjustment. If you frequently switch to this tuning, a slightly heavier gauge string might be beneficial for this string to maintain better tension and intonation in standard tuning, or a lighter gauge for this tuning to prevent floppiness.
Always tune incrementally and check your guitar's intonation if you plan to keep it in this tuning for extended periods.
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Capos for FCEGBC
Capo | Tuning | Name |
---|---|---|
0 | FCEGBC | East Coast Emo |
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Tuning Map
- Fret
- S6
- S5
- S4
- S3
- S2
- S1
- -13
- D#
- G#
- C#
- F#
- A#
- D#
- -12
- E
- A
- D
- G
- B
- E
- -11
- F
- A#
- D#
- G#
- C
- F
- -10
- F#
- B
- E
- A
- C#
- F#
- -9
- G
- C
- F
- A#
- D
- G
- -8
- G#
- C#
- F#
- B
- D#
- G#
- -7
- A
- D
- G
- C
- E
- A
- -6
- A#
- D#
- G#
- C#
- F
- A#
- -5
- B
- E
- A
- D
- F#
- B
- -4
- C
- F
- A#
- D#
- G
- C
- -3
- C#
- F#
- B
- E
- G#
- C#
- -2
- D
- G
- C
- F
- A
- D
- -1
- D#
- G#
- C#
- F#
- A#
- D#
- 0
- E
- A
- D
- G
- B
- E
- 1
- F
- A#
- D#
- G#
- C
- F
- 2
- F#
- B
- E
- A
- C#
- F#
- 3
- G
- C
- F
- A#
- D
- G
- 4
- G#
- C#
- F#
- B
- D#
- G#
- 5
- A
- D
- G
- C
- E
- A
- 6
- A#
- D#
- G#
- C#
- F
- A#
- 7
- B
- E
- A
- D
- F#
- B
- 1
- 3
- 2
- 0
- 0
- -4